R
ruben
Guest
sitemistic said:Here's an example of the problem of critiques, as I see it, from the gallery here. The link below goes to a photo that is a technical disaster. It is out of focus, exhibits subject and camera motion and has poor contrast, everything I don't like in a photo. But it's actually a pretty strong image that represents how the photographer saw the scene better than the sharply focused, full toned image I would have created. How do you critique this image? On what basis?
http://www.rangefinderforum.com/photopost/showphoto.php?photo=73859&limit=recent
Beyond the photographer intentions, what I see is a very powerfull documentary type image, due to the strong presence and expression of the man at the left side. By no means it is a picture I would have left unseen at RFF. Technical disaster ? What ? To say it is a technical disaster will equate to look at the less important factor here.
Had you wrote it at the time, and had I saw your comment, it would have been the start of a thrilling discussion, for which the photog may have gained a lot.
I would need to look more pics of the same photographer to try to asses if she uses the out of focus effect purposedly or by accident. This would lead us to the second stage of discussion.
But even if had it been just an accident, this pic is absolutely worthy. That's my opinion.
Cheers,
Ruben
PS
Let's not forget that Cappa too had his own out of focus restrictions imposed by circumstances, and if my memory doesn't cheat me, someone at the neighbourhood mentioned HCB too.
Propper proportions kept, I intentionally play sometimes with the out of focus stuff, purposedly. Sometimes it works, sometimes it doesn't.
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