Yokosuka Mike
Abstract Clarity
Sony A7II, Voigtländer 28mm f2 Ultron VM lens
Yokosuka, Japan - June 2020
All the best,
Mike
Yokosuka, Japan - June 2020
All the best,
Mike
peterm1
Veteran
Greg Maslak
Well-known
"Summertime" - my poor effort at tracking with a Fuji XE-2s, 27 f.2.8
markjwyatt
Well-known
Time by Mark Wyatt, on Flickr
Since I got the idea to do this, I cannot stop thinking about Pink Floyd's Time
"Ticking away the moments that make up a dull day
Fritter and waste the hours in an offhand way.
Kicking around on a piece of ground in your home town
Waiting for someone or something to show you the way...
...Home
Home again
I like to be here
When I can..."
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Greg Maslak
Well-known
An old blurry one, taken years ago near Athens. Nikkormat Ft2, Nikkor 43-86 f3.5 Zoom
krusander8M
Member
peterm1
Veteran
Nikon 70-200 f2.8...
Very nicely executed.
peterm1
Veteran
I cannot claim that this image is sharp - though the edge of his glasses are. (If it were AF I would blame that. Sadly I cannot). And to be fair, I suppose it is not terribly out of focus either. But I like how it looks.
Bookshop Owner by Life in Shadows, on Flickr
Bookshop Owner by Life in Shadows, on Flickrkarlin
Well-known
Musashi1205
Established
Bill Blackwell
Leica M Shooter
Leica MP
35mm Asph Summicron
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Breakfast in Reedley California, January 2020
Leica M-D 262, 2.0/35mm Biogon ZM
Leica M-D 262, 2.0/35mm Biogon ZM
oldwino
Well-known
Yokosuka Mike
Abstract Clarity
Fujifilm GFX 50R, Fujinon GF 45mm f2.8 R WR lens
Acros film simulation
Yokohama, Japan - August 2020
All the best,
Mike
Yokosuka Mike
Abstract Clarity
Fujifilm X-Pro3, Fujinon XF 23mm f2 R WR lens
Astia film simulation
Yokohama, Japan - August 2020
All the best,
Mike
peterm1
Veteran
An old photo I scanned today.
Background: It was a slide originally (most likely Fuji Velvia but I was working from a large format print of it) shot 20 meters below the ocean off Madang New Guinea on the wreck of a WW2 American B25 bomber shot down on a bombing mission. Some of the crew survived the crash and some of them escaped. I think some were captured and executed. The Captain of the bomber survived and eventually came back as an old man to dive on his old aircraft - a few years before I was there in I think about 1990 or a little before. I somehow found that very moving.
Shot with a Nikonos 5 and standard 35mm f2.8 lens. Not much detail due to the particles in the water but then it kind of proves the point made in the title of this thread.
EDIT: I just found a dive site link to the wreck info for those who might be interested in knowing more.
https://www.diveplanit.com/dive-site/b25-bomber/
Background: It was a slide originally (most likely Fuji Velvia but I was working from a large format print of it) shot 20 meters below the ocean off Madang New Guinea on the wreck of a WW2 American B25 bomber shot down on a bombing mission. Some of the crew survived the crash and some of them escaped. I think some were captured and executed. The Captain of the bomber survived and eventually came back as an old man to dive on his old aircraft - a few years before I was there in I think about 1990 or a little before. I somehow found that very moving.
Shot with a Nikonos 5 and standard 35mm f2.8 lens. Not much detail due to the particles in the water but then it kind of proves the point made in the title of this thread.
EDIT: I just found a dive site link to the wreck info for those who might be interested in knowing more.
https://www.diveplanit.com/dive-site/b25-bomber/
kmallick
Well-known
pm1220
Member
Kodak 5222, Summicron 35mm v1
cboy
Well-known
Does anyone use the promist filter?
My mother, 14 May 2006. Early dinner at The Boat Shed restaurant, Bremerton WA, her favorite.
Some lenses are designed with variable soft-focus as a feature. Using the Pentax 120mm Soft for portraiture as intended, with f/5.6 chosen for some softness, as it loses its soft effect beyond about f/8.
Pentax 6x7, 3.5/120mm Pentax-67 Soft
Some lenses are designed with variable soft-focus as a feature. Using the Pentax 120mm Soft for portraiture as intended, with f/5.6 chosen for some softness, as it loses its soft effect beyond about f/8.
Pentax 6x7, 3.5/120mm Pentax-67 Soft