shooting more B&W these days?

Recently i've been going through "Elliott Erwitt Snaps", which is a wonderfully rich and voluminous collection of terrific B&W work that he did from the late 40s through about 2000. Very inspiring work - human, witty and elegant; mostly done w/ an M3 and a 50, I believe. Highly recommended.

Yes Elliot Erwitt one of the master unknowed of the photography. The book is awesome. I dont know why is not most popular. The impact that I suffered seeing the book is unforgettable...
 
I've shot maybe four rolls of color so far (plus countless digital snaps). I'd definitely do more color work when I get my hands on Kodachrome.

Otherwise, it's been all BW, in small, medium and large formats: I enjoy both aesthetic and handling aspects of classic BW film.
 
I shoot a balance of color and b&w. I have grandsons and usually, not always, take photos of them in color, and it is now autumn in Ok and the colors are nice this year. B&W for most of my 120 and slr stuff. My Bessa R has about 4 to 1 ratio of b&W to color.
 
I shoot B&W exclusively, Tri-X. J-8 on my Bessa R and medium yellow filter (G-man, this is a nice lens, love it.). For colour I use my D70, although ever since I got my Bessa and J-8, I haven't touched my Nikon.

Cheers,

doug.
 
Loaded up 3 rolls destined for Diafine yesterday only to find that I have run out of fixer. I guess I have been shooting a lot of B&W.
 
Betsy just gave me the best birthday (62) present ever: Original hardbound Edward Weston Daybooks I and II. Weston's my main man, followed by Avedon and Penn and Salgado.

I already had Daybook II (possibly my very first photo book, 1967?), but the vintage dealer evidently couldn't sell Daybook I all by itself, so now I have two IIs...a blessing. .

Deeply moved at her thoughtful gift, I nearly wept when I opened the package. Did weep later. Wow!

Just viewing the reproductions in the Daybooks was enough to re-sell me on B&W, and it caused me to go back and reprint a portrait I was about to deliver.
 
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