semilog
curmudgeonly optimist
I had not heard that "Leitz" was planning lenses for the NEX. Zeiss, however, is planning to release AF lenses for BOTH the Sony NEX and Fuji XF mounts... as is Schneider.
Call me stupid, but in my eyes the Fuji X-E1 is only a perfect looking camera.
Two days ago I touched it the first time in my local store.
It feels like plastic fantastic. Remember the standard 50mm 1-8 II from Canon and you know how it feels.
I never can imagine to put my fine Nokton and Heliar lenses on that.
This, plus the problems with the (non-existing) RAW workflow in my loved Lightroom is a no go for me.
Cameras are often like wifes: some are good looking, some work perfect... ;-)
Sorry, but just my personal feelings.
Call me stupid, but in my eyes the Fuji X-E1 is only a perfect looking camera.
Two days ago I touched it the first time in my local store.
It feels like plastic fantastic. Remember the standard 50mm 1-8 II from Canon and you know how it feels.
I never can imagine to put my fine Nokton and Heliar lenses on that.
This, plus the problems with the (non-existing) RAW workflow in my loved Lightroom is a no go for me.
Cameras are often like wifes: some are good looking, some work perfect... ;-)
Sorry, but just my personal feelings.
It feels like plastic fantastic. Remember the standard 50mm 1-8 II from Canon and you know how it feels.
I never can imagine to put my fine Nokton and Heliar lenses on that.
Zeiss, however, is planning to release AF lenses for BOTH the Sony NEX and Fuji XF mounts... as is Schneider.
Call me stupid, but in my eyes the Fuji X-E1 is only a perfect looking camera.
Two days ago I touched it the first time in my local store.
It feels like plastic fantastic.
In my experience the LR rendering of X-Trans raw files is inferior to the X100's and NEF raw files.
However, the default LR sharpening parameters and color correction (CA and fringing) artifact parameters make matters much worse. The default LR import parameters for standard Bayer demosaicing with an AA filter degrade images from the X-Trans sensor with no AA filter.
I apply a custom Development preset upon import. I fine tune the defringing parameter as needed. Much of my experience for optimizing Bayer/AA images did not apply to X-Trans images.
The 18/2 lens requires more care than the 35/1.4.
There is no doubt Adobe must do better. At the same time, I would not hesitate delivering 12 x 18 prints to clients, especially from the 35/1.4. Some of the raw results from that lens are the best I have ever seen.
Gavinig's observation about the color noise is accurate. Hardly anyone mentions how nice the color noise looks.
So you can tell the difference between heavy and light, but can't tell the difference between metal (aluminum, magnesium) and plastic.
A little story:
I was looking for a Voigtländer Heliar 15mm for my Ricoh GXR for weeks. On eBay I didnt find one with a price tag I like and so I started this night a call on the biggest German photo forum, dslr-forum.de .
In the first twenty minutes I received two offers. Both are used lenses with original papers from this summer. Both are from owners of Fuji X-E1. Both told me that the results with there new cameras were horrible because color smearing and no sharpness under f8...
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My wife likes the Sony... I like the Fuji... Please give me your thoughts.
Thank you kindly!!