Show me your latest darkroom prints

Fotohuis said:
Thank you for the wishes.

Well, I have a Thermaphot ACP-252, 25 cm wide, 2 bath so the lenght won't be any problem. ;)

Here an example of RA-4 in a wide (90cm) print:

Scan of the negative (of course). :)
Click to expand...

Great stuff. Time to run another 35mm roll through the Mamiya :)
 
Johnmcd said:
Pano shots taken with Mamiya 7 and 35mm pano kit. Set the large easel up and placed two 8x10's side by side. Joined with a bit of tape at the back. Still wondering how they might look framed.

p588973034.jpg


Cheers - John
Click to expand...

Excellent prints, John.

The portrait ones would make a killer diptych.
 
Johnmcd said:
Thanks for the tip. I use a this system. Overnight and they are flat and stay flat. The biggest issue is that I only have two boards ready to go so it limits my fiber output.

p572541301.jpg
Click to expand...

I know you've probably written this elsewhere, but can you give me some more info on what you are doing here? I feel like I've seen it somewhere else. I'd like to try it for flattening. It's a bugger of a problem for me with larger (16x20 or 20x24) prints.
 
The biggest disadvantage is that you need a lot of materials and screws etc. in stainless steel so even not really cheap when making it your self. When you take an IKEA 4mm glass frame and do it with aquarel tape it is going much faster, cheaper and 5-6 glass frames you can put 10-12 fiber photos. Of course when you're going over 40x50cm prints you need already 50x60cm glass which can break but after cutting the prints it is much easier to get it perfectly clean again.
 
Had two long sessions in the darkroom over the weekend. I'm finding a very warm tone to the print (Ilford multigrade). Could old developer (as in old before I mixed it) be the cause? Also experimenting with selenium toning.

Anyway am going to buy some fresh developer tomorrow. I have a choice of more Ilford or Tetenal, Adox, Agfa, Fotospeed, Paterson, Marshalls (Vanbar, Sydney). Any suggestions? To be used with Ilford multigrade RC papers or Oriental FB papers.

p13743666.jpg


Cheers - John
 
First attempt at printing in the darkroom...I said this same statement when I developed my first roll of B&W film a little over a year and a half ago - "I"m hooked"

My wife got me an old Durst D2 enlarger for Christmas and this was the first time I put it to use. I still don't have an easel or a grain magnifier, but I think they turned out pretty well for my first attempt. OK, maybe not first attempt - you are not seeing the 2 or 3 that didn't turn out quite so well!

Untitled by jkjod, on Flickr

by jkjod, on Flickr

by jkjod, on Flickr
 
Dear jkjod,

They're superb prints and great photos, especially the last in the series. Brilliant. I can't believe what a quick learner you are - it took me several years to get to this quality.
 
Thank you very much Mr. Harvey. That is very nice of you to say. I like them, but as I took the pictures, I'm biased.
 
jkjod said:
Thank you very much Mr. Harvey. That is very nice of you to say. I like them, but as I took the pictures, I'm biased.
Click to expand...

Jordan, agree with Anthony, those pictures are exceptionally well taken and printed.
You looks like a natural darkroom printer.

Keep posting your prints!
 
jkjod said:
First attempt at printing in the darkroom...I said this same statement when I developed my first roll of B&W film a little over a year and a half ago - "I"m hooked"

My wife got me an old Durst D2 enlarger for Christmas and this was the first time I put it to use. I still don't have an easel or a grain magnifier, but I think they turned out pretty well for my first attempt. OK, maybe not first attempt - you are not seeing the 2 or 3 that didn't turn out quite so well!
Click to expand...

Excellent prints of some beautiful shots. Great job, especially for the first time. Look forward to more of your work :)

Cheers - John
 
John - I use Oriental FB with Dektol or Ilford Multigrade and they were always quite neutral. When the developer gets old, I don't get as deep blacks however.

jkjod - Those are really beautiful prints. I'm quite jealous how quick you attained that level of quality.
 
StevenJohn said:
John - I use Oriental FB with Dektol or Ilford Multigrade and they were always quite neutral. When the developer gets old, I don't get as deep blacks however.

jkjod - Those are really beautiful prints. I'm quite jealous how quick you attained that level of quality.
Click to expand...

Thanks. I think I'll sample one or two different developers. I noticed that Rogers Hicks has a bit of a run down on his website which is useful.

Cheers - John
 
Spent another day today in the darkroom...I really appreciate the compliments folks, I'm blaming it all on beginners luck for sure. Any and all pointers and feedback are welcome - even if its criticism. I'm looking for a used easel on craigslist and the like, those darn things are expensive!

Untitled by jkjod, on Flickr

by jkjod, on Flickr

by jkjod, on Flickr
 
You must log in or register to reply here.
Back
Top Bottom