2wenty
Well-known
Beautiful. What film were you using?
It was Acros 100.
Johnmcd
Well-known
James concert. First time in Australia. Zeiss Ikon with 50/1.4 vc with Delta 400 @ 1600. Developed in Microphen.
12 x 16's
12 x 16's

FujiLove
Well-known
From last night: printed 33 Christmas cards in about 2.5 hours.
IMG_1742
This is wonderful. I wish I had been organised and had my darkroom set up in time to do this. Hopefully next year.
wakarimasen
Well-known
Attended an 'introduction to printing' course yesterday - 5.5 hours in the darkroom. I absolutely loved it, and wish I had done it years ago. B&W film - and the options for exposing and printing - suddenly make a lot more sense.
LarsAC
Established
Moto-Uno
Moto-Uno
^ Thanks for posting these , I've just recently got some Ilford Selenium toner and now see some of the possibilities ! Thanks again, Peter
LarsAC
Established
This was polysulfide after selenium. Selenium alone is a more subtle effect.
Lars
Lars
jbrianfoto
Established
Wet-lab printing time lapse of me printing....
Wet-lab printing time lapse of me printing....
I don't knkow if this'll count as showing my latest darkroom prints - but it is a time lapse I rendered showing my most recent 8-hour printing session.
https://youtu.be/mqwFepAsl4c
Enjoy !
Wet-lab printing time lapse of me printing....
I don't knkow if this'll count as showing my latest darkroom prints - but it is a time lapse I rendered showing my most recent 8-hour printing session.
https://youtu.be/mqwFepAsl4c
Enjoy !
dfranklin
Established
I love the rhythm of the 'flashes' from the enlarger lamp against Brubeck. Great video!
jbrianfoto
Established
The enlarger and the flashes you see...
The enlarger and the flashes you see...
Hey there - thanks ! The bright light you see throughout the printing sequence is actually a light I rigged up with a foot switch to shine white light into my fixer tray. That way I don't have to turn on all of the room lights to check the values on a new print.
I needed to do this for the time lapse - since you have to lock down the exposure before you start filming I had to make a choice. I did not want to let the camera make exposure changes throughout the printing sequence, which meant I would have to rig up something for checking my prints without turning on the lights. When I turned the lights on for the last half I picked a new exposure and color balance. I had wanted a light like this over my sink for years, this time lapse was just a good excuse to get it done.
The enlarger is actually in the far back of the room in its only little area.
The enlarger and the flashes you see...
I love the rhythm of the 'flashes' from the enlarger lamp against Brubeck. Great video!
Hey there - thanks ! The bright light you see throughout the printing sequence is actually a light I rigged up with a foot switch to shine white light into my fixer tray. That way I don't have to turn on all of the room lights to check the values on a new print.
I needed to do this for the time lapse - since you have to lock down the exposure before you start filming I had to make a choice. I did not want to let the camera make exposure changes throughout the printing sequence, which meant I would have to rig up something for checking my prints without turning on the lights. When I turned the lights on for the last half I picked a new exposure and color balance. I had wanted a light like this over my sink for years, this time lapse was just a good excuse to get it done.
The enlarger is actually in the far back of the room in its only little area.
dfranklin
Established
Ah, got it! That's a beautiful setup you have; it puts my darkroom to shame. I also appreciated the notes on your process.
Hey there - thanks ! The bright light you see throughout the printing sequence is actually a light I rigged up with a foot switch to shine white light into my fixer tray. That way I don't have to turn on all of the room lights to check the values on a new print.
I needed to do this for the time lapse - since you have to lock down the exposure before you start filming I had to make a choice. I did not want to let the camera make exposure changes throughout the printing sequence, which meant I would have to rig up something for checking my prints without turning on the lights. When I turned the lights on for the last half I picked a new exposure and color balance. I had wanted a light like this over my sink for years, this time lapse was just a good excuse to get it done.
The enlarger is actually in the far back of the room in its only little area.
MIkhail
-
jbrianfoto
Established
Thanks !
Thanks !
Thanks, I really enjoy working in this darkroom. Up until the past few years good darkroom equipment was really easy to find - and cheap. I was fortunate enough to gather some really nice pieces together. I've been looking for a second DeVere 504 enlarger, but they just aren't coming up (sure, if you want to spend over $1K, but who can do that?). I'd like to have two identical enlargers wit the same speed-carrier receiver. Then I could set them both up for the same negative but different print sizes. Maybe someday.
Thanks !
Ah, got it! That's a beautiful setup you have; it puts my darkroom to shame. I also appreciated the notes on your process.
Thanks, I really enjoy working in this darkroom. Up until the past few years good darkroom equipment was really easy to find - and cheap. I was fortunate enough to gather some really nice pieces together. I've been looking for a second DeVere 504 enlarger, but they just aren't coming up (sure, if you want to spend over $1K, but who can do that?). I'd like to have two identical enlargers wit the same speed-carrier receiver. Then I could set them both up for the same negative but different print sizes. Maybe someday.
StayFrosty
Newbie
dfranklin
Established
A couple of cats in Athens, Greece. Ilford MG FB. Enlarger was an Omega D2 with an LED cold head.
Plaka, Athens.

dfranklin
Established
A couple more from a recent trip to Greece:

[url=https://flic.kr/p/WxRxia]
[url=https://flic.kr/p/VjgTsv]

[url=https://flic.kr/p/WxRxia]

[url=https://flic.kr/p/VjgTsv]

BLKRCAT
75% Film
BLKRCAT
75% Film
sepiareverb
genius and moron
mothertrucker
Well-known
Got some prints ready for a show coming up December 1st.

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