Anthony Harvey
Well-known
I hesitate to raise this matter - at first sight it seems so trivial - but if one takes the view that the shutter should always be left uncocked then on many occasions one is committed to firing blanks or shooting a half-hearted shot before one puts the camera away.
Roger, I wonder what your policy is and the thinking behind it? Do you leave the shutter tensioned when you know the camera will be put aside for perhaps a week or more, or even for longer if it’s a camera in your collection? And Tom (Abrahamsson) with his large collection?
Photography has been a great interest of mine from quite an early age, perhaps even from around ten, and at some time or other (and I’ve long since forgotten when) I must have made the policy decision that if I’m about to put the camera aside for what might be a fair bit and the shutter is tensioned I fire a blank. Of course, I imagine that a heavy user wouldn’t give it a moment’s thought one way or the other but my thinking as an enthusiast has been that if I repeatedly leave it tensioned between shooting sessions then over a period of years it might in some way weaken the spring mechanism. Of course, I’ve no doubt that the manual shutter of the Leica is so well engineered that leaving it tensioned wouldn’t make any difference to its accuracy and reliability but I can’t help wondering if it wouldn’t be better to leave it untensioned, a sort of better safe than sorry approach.
I suppose I mollycoddle my cameras to some extent, and you might take the view that this is just a silly example of it, but I suspect that there might be a few others on this forum who at least think about the matter from time to time, whether or not it bothers them to any degree.
Having made this policy decision in my early days of photography I have never really questioned it much but it’s begun to occur to me a lot recently for two reasons. First, having returned to rangefinders after years with automatic cameras I find that the meters on both my R3M and M7 will only work with the film wound on, so if I want to take a reading without taking another shot I’m faced with the option of firing a blank or not. Secondly, when researching the M7 before buying one, I noted many comments (including a direct reference in the M7 manual itself) that one of the benefits of an on-off switch is that it can prevent the shutter from being accidentally fired if the camera moves about in the camera bag, thus implying that many photographers will put their cameras away with the shutter tensioned.
Anthony
Roger, I wonder what your policy is and the thinking behind it? Do you leave the shutter tensioned when you know the camera will be put aside for perhaps a week or more, or even for longer if it’s a camera in your collection? And Tom (Abrahamsson) with his large collection?
Photography has been a great interest of mine from quite an early age, perhaps even from around ten, and at some time or other (and I’ve long since forgotten when) I must have made the policy decision that if I’m about to put the camera aside for what might be a fair bit and the shutter is tensioned I fire a blank. Of course, I imagine that a heavy user wouldn’t give it a moment’s thought one way or the other but my thinking as an enthusiast has been that if I repeatedly leave it tensioned between shooting sessions then over a period of years it might in some way weaken the spring mechanism. Of course, I’ve no doubt that the manual shutter of the Leica is so well engineered that leaving it tensioned wouldn’t make any difference to its accuracy and reliability but I can’t help wondering if it wouldn’t be better to leave it untensioned, a sort of better safe than sorry approach.
I suppose I mollycoddle my cameras to some extent, and you might take the view that this is just a silly example of it, but I suspect that there might be a few others on this forum who at least think about the matter from time to time, whether or not it bothers them to any degree.
Having made this policy decision in my early days of photography I have never really questioned it much but it’s begun to occur to me a lot recently for two reasons. First, having returned to rangefinders after years with automatic cameras I find that the meters on both my R3M and M7 will only work with the film wound on, so if I want to take a reading without taking another shot I’m faced with the option of firing a blank or not. Secondly, when researching the M7 before buying one, I noted many comments (including a direct reference in the M7 manual itself) that one of the benefits of an on-off switch is that it can prevent the shutter from being accidentally fired if the camera moves about in the camera bag, thus implying that many photographers will put their cameras away with the shutter tensioned.
Anthony