I find this perspective fascinating. When I go into the field for research trips into Guatemala, sometimes I struggle to put the camera to my face because my love of photography gets me my brain excited about making some huge statement about humanity via a photograph, but in the very moment I feel a human connection to just let the moment be....
Prime example was a photograph of the oldest woman I have met in the countryside who was in such bad condition. The minute I saw her, I knew the kind of impact the photos would have, and the woman I was working with suggested I photograph her. I wanted to photo her hands and feet in dramatic ways and so forth, but I just couldn't bring my self to do it. I felt like it would totally objectify her. After asking her for a photo sure enough she starts to fix her hair and say how bad she looks and so on, but I just told her how pretty I thought she was and bam she gives me a look and a smile.
I think my upbringing wanted to objectify her and her suffering to make powerful images but of the three shots I took of her, the smile and classic portrait is my favorite. Its probably not the most dramatic or moving image that could have been captured, and my photography brain wanted to shoot a whole roll of just her, but my heart only let me take three images...
I'm very glad this was just personal work because if I was paying the bills I would have definitely shot a roll of her, and would have used my "creative" tool box to try to make some sort of consumable statement.
The Portrait
The beginnings of something else...
Sometimes, when I travel I like to think I am just documenting what I see, but I know I am bending reality.... That is what we want though, we want powerful images that capture the imagination and feed our stereotypes.