The construction of the prewar and postwar Zeiss lenses, including the Sonnars, differs quite a bit. The prewar Sonnar uses shims to achieve proper focus while the postwar lens uses a threaded collar for that purpose. The threaded collar, while more accurate, requires the person to fully seat the lens and tighten the rear retaining ring during collimation.
Briefly, the breakdown of the Carl Zeiss lenses is this:
1) Carl Zeiss Jena (no red "T"): Prewar uncoated lenses in a heavy chrome mount. Some lenses near the end of World War II were coated and a few are in lightweight alloy. And some prewar lenses were coated by a third party, but these lenses in general will not have any designation on the lens ring. The earliest lenses for the Contax I are in nickel and black mounts -- very handsome and somewhat expensive. Remember, it was the Zeiss lenses that were the key component of the Contax system. Zeiss had an outstanding, sharp f/1.5 lens (Sonnar) well before Leica had a comparable offering.
2) Carl Zeiss Jena "T": For the most part, these are East German lenses and are in lightweight alloy mount. You can feel the weight difference between the East German optic and their West German counterparts.
3) Zeiss-Opton "T": Coated West German lenses in a heavy chrome and steel mount.
4) Carl Zeiss (no "T"): Zeiss dropped the "T" with these final series of coated lenses. Again, a heavy chrome and steel mount.
Now, to further confuse you, you'll encounter some very early postwar Zeiss-Opton uncoated lenses on folding cameras. I've seen these on at least two Super Ikontas. It's the time near the end of World War II and immediately postwar where production can blur.
But in general, the Carl Zeiss lenses are divide into those four groups.: No "T," and it should either be uncoated prewar CZ Jena or coated West German Carl Zeiss. Red "T" will be either East German CZ Jena or West German Zeiss-Opton -- both are postwar.
Zeiss also reformulated many of its lenses over time, but never made a big deal about it, and I don't think users make a big deal over it either. Brian is right about the Carl Zeiss lenses -- I've seen a number with separation, which has little effect optically but they look like hell.