Perhaps you should speak for yourself and your experience instead of everyone?
+1
Here's another way I thought of looking at it.
A couple of years ago I succumbed to the Leica bug and bought a very nice (but not mint) black 0.85 M6-TTL which cost $1800. Then I bought a ZM 35/2.8 Biogon - $817. Add a step-up ring, new lens cap and a couple of filters for B&W and color and you're within $50 of the RX1 (actually it was way over that after I sent it off for a CLA). Now I never really planned for any other lenses for this particular camera so in a sense (for my purposes) it may as well have been fixed. Not to mention with a stop slower lens
and a stop slower shutter than the RX1...
Because I don't have the experience or facilities to do my own developing I got all my film processed and scanned at NCPS at a their premium resolution of 5,035 x 3,339 (16.8MP / 16.033MiP). Those dimensions ideally need a little cropping (I use 4,992 x 3,328) before any resizing so let's call it 16.6MP - and those are 8-bit JPGs.
The RX1 outputs 6,000 x 4,000 14-bit RAW files. If you absolutely want to get rid of any "Bayerness" you can resample to 1/1.25 for 4,800 x 3,200 for ultra-clean 15.3MP files. Or leave it at 24MP and call it good.
I know, this is totally ignoring the tactile enjoyment of using a film camera, that you could shoot microfilm and process and scan it yourself at extremely high resolution, etc., etc. but in terms of the final result vs. cost I personally think the RX1 could well be a winner.
YMMV, or course. And I still can't afford one :bang: