rumbliegeos
Well-known
Peter, thank you for posting this information. I had read about Kubrick's use of the very fast lens so that candle-lit interiors shots would be as authentic as possible, but it is very interesting to get more background. I thought Barry Lyndon was a trip for the mind and the senses because of the way it was made. Kubrick was capable of extremely bold moves to achieve visual effects: one example is a scene from Paths to Glory when Kirk Douglas walks and walks along a WWI trench while tension builds - it would seem to have been impossible to shoot in the days before steadicams. Another amazing scene is from Spartacus when the Roman imperial army advances on the slave army, and although the sequence breaks about every film-making rule of the time, it is breath-taking in its effect.