sojournerphoto
Veteran
Perhaps there is fear in my photography with the Nettar - I fear not nailing the focus esp on such a big negative. And with the Nikkor I can nail it, have sharpness mm thick if i want, and everything else looking dreamy. I like that look - it's nice 😉
I am fortunate, Roger, that I really could work 20 hours per week, meet my bills, have no fear and do what I want. It turns out that part of what I want looks like work and people pay me to do it...
I don't think that is inconsistent with the discussion actually. The issue is not the choice to work longer, but the lack of choice to have a 'normal and acceptable' standard of living when working shorter hours in such a productive economy. Part time working, though theoretically promoted, is not well accepted as a normal way of working.
In some places it certainly isn't fear that keeps people working, it's starvation. Of course not so many of people in that condition have internet. Or cameras.
Of course. Perhaps they exist to feed the greed of the 'successful' parts of the world? I hope we all understand that though?
So I take the discussions a little with a grain of salt. A new FF digital camera isn't world peace, or the global living wage, eradication of HIV or any other worthwhile thing. It's an expensive way to achieve what could be done already with century old technology albeit with a little more fussing.
Perhaps that's the the true digital swindle. The workflow advantage for most people doesn't exist. Previously Joe Average took his or her exposed film to a shop and they gave back prints. Joe glued the ones he/she liked into an album (or slipped them if he were cheap and didn't care if they lasted). Now she needs to plug this into that, move files around, log into whatever, upload to the "cloud." Maybe he prints something - at the same shop, with the prep work done herself.
This is clearly true. Even for enthusiasts the film workflow has got much harder with the loss of support services from the locality. Perhaps the camera companies will pay the same price as Kodak when people stop buying the next thing, and the model of replacing film with body upgrades (just moving the spend really) will also be replaced by some other entity that captures the economic value...