FrankS
Registered User
I just watched this movie and want to recommend it for many reasons, but here at RFf, for its cinematography, especially the effective (IMO) use of selective focus. Go see it and enjoy!
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It's a good movie, really good. However, shallow DOF (which wasn't over the top in the film thankfully) in cinematography is a horrible concept. When viewing a film, I expect to see it in the same way my own eyes would and my eyes don't see 'moving' Bokeh highlights. When I do see it in film it is nauseating.
Shallow DOF has been a film making tool for decades. It's just one of many methods to direct the audience to different parts of the frame, along with production design, art direction etc,.
It also has it's uses in budgeting because you can get away with a lot less work when the backgrounds are out of focus. (let alone having to get clearance for all sorts of signs and logos in backgrounds)
It's one of subconscious underpinnings of what we think is a 'film' along with the relatively low frame rates films are shot at.
As the kids grow up these characteristics will change. If you look at a film like speed racer they worked very hard to achieve a deep focus look and video game style movement. (and yes all rules are to be broken, Citizen Kane was a deep focus film and he had to work very hard to achieve that)
3D is an interesting one, too early to say if it has a place in the world. It's failed so many times before! One of the many problems with 3D is that it can be very confusing because you need deep focus and also a convergence point. It is difficult to direct the audience within the frame. Great for wide spectacle shots in avatar, not so good for fast moving sequences telling a story. An extreme example of why deep focus can at times be bad.
IMHO of course
cheers
paul
I recommend checking out Wong Kar Wai's 'My Blueberry Nights'. He makes some great use of shallow DOF in some scenes, without going over the top.