That Guy said:
. So what is it about the Bessa L that you like, love, lust, despise, confuse, consider, or obsess about?
I use this combo too, half of my RFF portfolio is shot with L+4/25, and since a while i have a CV bubble attached .
What makes it unique is size, weight and simplicity, and the simplicity makes it fast !
Working with a preset focus you you cannot be faster at all with any other camera.. Shooting B&W C41 I do not meter for each frame at street shooting , I just check from time to time whether the preset stop is still o.k. for the light or
not. Best of all is that this simple, fast thingy is an absolutely optical top
performer .
So for me the thrill is going back to the beginning at the age of ten, when I started with a VF camera, 45mm fixed lens, no built in meter. but a fine Gossen handmeter from my father.. I still own it , a 1964 Dacora Dignette (the meter too !), and it still works !
When I had been in Paris last year the L+4/25 was the only combo I used after some days, the rest of the gear was left in the hotel room all the time. You begin to ask yourself then what the rest was good for ?
What I think is that simplicity is fun nowadays for all those who are tired of reading fat handbooks and fiddeling around with endless custom menues to make a fully-auto-dancing-and-singing-multiple-mode-AF- plastic thing run.
Best,
Bertram