peterm1
Veteran
peterm1: Thank you for the tips. I am familiar with both Kurosawa and Ozu and you are right about the latter: the static camera is very special, you need to get used to it but if you have some experience with old silent movie then i think you're good to go. I have not seen Chushingura so it is now added to my list. I won't go into the whole Hollywood thing but generally speaking, when it decides to remake something, well, you better watch the original first as the remake tends to be limp. And I do love Hollywood but as of the last 2-3 decades it has really dropped the ball. O well, ebb and flow bla bla 🙂
Filmtwit: Tri-X 16mm pushed two stops must be nuts. I mean you can already tell with 35mm when it is pushed and processed properly, there is some serious mid tone crunching going on. With 16mm? Man, there is nothing left. And on top of that overexposing? Yeah, goodbye greys!
Judge Holden: Tetsuo Iron Man! Haven't though of that one in ages. Saw it at the Laemmle five theatre on Sunset in LA upon its release. Great weird movie. I need to watch that one again. Thanks for the reminder 🙂
charjohncarter: I love Foma 400. I need to go through some bulk of XX and Orwo 74 but once I am done, back to Fomapan. I give it a two stop push and with my pre asph, 35mm Summilux it is amazing.
Again, thank you all for chiming in!
"And I do love Hollywood but as of the last 2-3 decades it has really dropped the ball."
Yep I would have to agree. Over the past few decades Hollywood has not just dropped the ball it has deflated it and buried it in a hole with a dead donkey. Today it seems to specialize in publishing little more than trash. There are rare exceptions such as some movies made by the likes of the Cohen Brothers (who are special) and those instances when the Hollywood machine finances movies which are made overseas (leaving Hollywood to claim the credit) but using stories and talent from other countries. And occasionally a top end Director like Scorcese will "push out the boat" and make a movie like "Silence" which is almost an art house movie by Hollywood standards. Although even here I find it a little bit too "Hollywood" for my taste at least in certain respects.....I think most likely what bugs me is Hollywood's insistence on casting "stars" in key roles rather than just plain old, good "actors". And this fact too often leaves me conscious of the "star" who is playing the part rather than connected to that character thereby becoming fully immersed in the story. Which is what I want if it is actually a good story.
Other than this Hollywood these days seems to churn out little more than formulaic nonsense - at the best no better than "made for TV" movies. Or rubbish for children (adult children that is) based on comic book stories. Oh, and sequels and remakes. Let's not forget sequels and remakes.
As you say......... "O well, ebb and flow bla bla" 🙂