ampguy
Veteran
the lens has OK bokeh, as does this one - a Fuji F72EXR:

What's the point...?
I think the Summilux 35/1.4 pre asph has much better bokeh than both of these combined, but I haven't tried it on a 4/3 camera, only Epson APS-C, M8, and 24x36mm
Focus was on the eyelashes (they tend to "pop" in the Oly's EVF).
At any rate, the cron seems to have the more favorable dof configuration, if that matters to anyone.
A lens simply cannot front focus on a PnS/EVIL camera when shooting in stop down mode like this. You see exactly what the lens is seeing.It's possible the zeiss is front-focusing a bit, too. At any rate, the cron seems to have the more favorable dof configuration, if that matters to anyone.
A lens simply cannot front focus on a PnS/EVIL camera when shooting in stop down mode like this. You see exactly what the lens is seeing.
A lens simply cannot front focus on a PnS/EVIL camera when shooting in stop down mode like this. You see exactly what the lens is seeing.
Now that's a point where a (really) more scientific comparison would be useful. I'd want to see a lot more photos, taken under more tightly controlled conditions.
Have you seen what people pay for the 35mm V4 cron? There must be a fault in this casual test that ended up showing the ZM as having greater aparrent sharpness and smoother OOF. Prices for the V4 cannot possibly be related to some sort of mass hysteria - why would they be - Leica buyers are a very rational bunch. My hunch is that if you got in a time machine and shot this again, using starving Africans or Bosnian refugees, the V4 would indeed be the far better lens. Perhaps the V4 somehow responds better to 'crisis shots' due to the types of lines and tone you tend to find in such images?
In order to conduct a fair test, not only would you have to do side by sides on a tripod, you would also have to use a suitable subject. A burning building, natural disaster, or similar scene of carnage would show that the V4 rises to these challenges far better than the ZM at any aperture.
Put frankly, the 35 V4 is the best kept secret in the photographic world and prices will skyrocket further if all those talented pros and amateurs out there catch on, so shhhhhh. Keep talking up lenses like the ZM 35s, 35 Summarit and CV 35 2.5 and keep this gem available to the real shooters. I'm with you Benjamin - throw' em off the scent! 😉
I just compared the two briefly yesterday and it was obvious on the back of the camera that the Zeiss is superior in sharpness, contrast and bokeh. On the computer monitor, this was only further enhanced. I chose correctly.
...As wonderful as the V4 cron likely is, I cannot fathom why people spend the money they do on this lens, especially when it is generally reckoned that the performance at f2 is fairly weak compared to modern optics.