Twin Lens Shootout

The Microflex doesn't have a Ross Xpres - that was the Microcord before it. The Microflex uses a Taylor Taylor Hobson Micronar which is a vastly improved (over the already very good Xpres) lens, manufactured by one of the truly great optical houses.

Don't read too much into the sharpness (or otherwise) of these lenses - this test wasn't intended to show levels of sharpness, hence the lack of brick walls and test charts. This test was all about which lens produced the prettiest picture and the Micronar won.

At the print sizes I make (8"x8" as I mentioned above) there is no difference between any of the lenses in terms of sharpness, even out to the extreme corners. At larger print sizes the Planar may or may not be able to resolve some extra micro-detail that nobody will ever notice but that's pretty much irrelevant to me.

This was judged on emotional reactions, both in myself and the people I showed the prints to (only one of which is a fellow photographer). The Micronar (and to a lesser degree the Tessar in the Ikoflex) produced smiles and long gazes with a soundtrack of happy murmuring. The other three lenses did not. I can't show you the other portraits which illustrate this better as the people who posed don't want their faces shown on the Internet and I respect their wishes, but I'm sure there will be many examples coming from the Microflex over the course of the year which will bear this out.

There's nothing at all wrong with the Planar, indeed it's an excellent lens, but when compared to the Micronar the results look (to me and to my panel of judges) cold, clinical and lacking a real "spark". This isn't something that can be put down to just focussing issues, it's entirely to do with the design of the lens.

TTH has now split into two companies, the part that carries the Taylor Hobson name now makes measuring equipment (mainly for use by other lens manufacturers) and the part occupying the factory that made the Micronar still makes lenses under the name of Cooke. On their website there is an interesting article concerning "The Cooke Look" and I believe that what I have seen from these results is just that. It's very hard to define but it's much more than mere sharpness, it's more like the lens has added something magical to the image.

Anyway, the test has served its purpose for me and I'm now sure I wouldn't swap the Microflex for any of the others. I post these results not to try and persuade others of the suitability of their own gear (everyone has different needs and preferences so that would be futile) but rather to encourage those who, like me, find themselves with too many unused cameras on their hands and who would like some encouragement to try a similar test for themselves. I would love to see some other comparison tests between TLRs as they're a style of camera that appeal to me very much and I've not yet seen anyone else doing this online. 🙂
 
Hello Hefty
Thank you for this report. It's interesting and fun to see these Models compared all these years later. I also have a couple of Yashicamats and a Rolleiflex D. I would agree with JPD on his assessment of your Rollei. I bet your Camera needs an overhaul to perform as an "average" Rolleiflex planar would do.
Also I wonder if you made any comparisons for flare resistance and contrast loss in side light. Although I love the Yashicamat I must say it does flare quite easily and not in a usable or interesting way. There seems to be little difference between the flare in my early Yashicamat with 10 blade aperture or the late 124G model with likely newer coatings (they do look different coating-wise). The Rollei is much more resistant to contrast loss and flare as well.
Your test shows above all else. All of these TLR models are gems and will be able to provide nice service for another generation. Thanks again !
Cheers
 
I'm glad people liked the report, I've really enjoyed the exercise and putting everything in writing has helped me to reach my conclusions as to which camera(s) to keep in a more logical fashion.

I didn't test specifically for flare resistance during this exercise but I know from the many rolls I shot last year that the Yashinon is a poor performer in that area. The Xenar is also quite poor but both improve with the use of a hood (which I always have on whichever camera I'm shooting with).

As it happens, one of the portraits that I can't show you (Sod's Law!) does have some side lighting and the Microflex and Rolleiflex both handled it much better than the other three cameras - I'm putting this down to the fact that those are the two cameras to have sophisticated baffles fitted to the back of the lens chamber. Surprisingly, the non-baffled Ikoflex performed noticeably better than the Yashica and the Rolleicord, although still not as well as the Rolleiflex and Microflex did.

As for getting the Rolleiflex serviced, I agree that it probably needs one as the controls are quite stiff (not to mention the jamming shutter incident). It's in near-mint condition cosmetically so I wouldn't be surprised if this was the first roll of film it's seen in 40 years. I don't think the focus is off though, it's certainly pin sharp, I just didn't get excited by the results in the same way I did those from the Micronar (which is plenty sharp enough for my purposes - even at f/3.5). The Yashinon is at an advantage under large magnifications because the more modern coatings give it more contrast, hence more apparent sharpness. If I could be bothered to play around in Photoshop then I could almost certainly pull just as much (or more) detail from the Planar but as this is just a hobby for me I'd rather avoid post processing if I can. Honestly though, in an 8x8 print I would defy anybody to pick between them sharpness-wise, the only differences are in the rendering and that really comes down to personal taste.

Anyway, I'll leave the servicing to the next owner as it'll be going on eBay next week along with the Ikoflex (also in need of a service due to very stiff focussing) and the Rolleicord. I may well re-invest some of the money raised in a Rolleiflex MX-EVS as I was highly impressed with the 3.5E as a camera, it was by far the most pleasant to use. I figure that if I could get essentially the same body but without the meter (which I'm not keen on) and with a Tessar (like the Ikoflex's) in place of the Planar then it would be an ideal stablemate for the Microflex. The next generation will just have to wait their turn for that one... 😉
 
Nice test Hefty. I wish I could afford a Microflex, lovely machine. Regarding the dim finder. Why not send Rich Oleson a mail and enquire about a fresnel replacement screen? I've a Flexaret, not known for its bright finder, and have just swapped to one his fresnels with split screen focusing and composition aiding grid (he makes all sorts). Its a revelation. Compared outside the camera the screens seem to differ not the least, mounted however, is another story. I can now compose shots indoors, in rather poor lighting, and make out details towards the edges.
 
Yes, I think I probably will end up getting a new screen. Although now I've used the Microflex a bit more I'm starting to get used to the dim original, and it does snap into focus very nicely. I might even end up with two screens for indoor and outdoor work...

I've now sold the other four cameras and I'm delighted with the Microflex, which has now become my daily companion - if you can find one cheap I highly recommend it.
 
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