Visoflex Lenses on Digital Cameras: A Marriage Made in Heaven!

Visoflex Lenses on Digital Cameras: A Marriage Made in Heaven!
Robust precision adapters let you access features Leitz never imagined

By Jason Schneider

As I lamented in my last post, The Venerable Visoflex, mounting a Visoflex on a vintage rangefinder Leica instantly transforms your exquisitely contoured, compact classic 35 into a large, heavy, clunky “SLR” that might be challenging and fun to shoot with but is certainly not the last word in convenience or practicality. The other nagging problem with the Visoflex is that almost every Visoflex lens requires a special adapter for any particular lens/camera combo, and since the entire system is long discontinued, finding the proper one can be tough and is likely to be fairly expensive—sometimes costing more than the Visoflex itself!

What about mounting a Visoflex on a digital camera? You can mount a Visoflex III on a digital Leica M (a Leitz adapter may be needed to focus some lenses to infinity) and experience the joys of optical focusing on a ground glass screen, or you can mount a Visoflex on a compact mirrorless camera such as a Sony, Fuji, or the late lamented Ricoh GXR shown here with a super-rare 180mm f/2.8 Leitz Tele-Elmarrit, by adding the appropriate Leica M adapter for your camera. The reward: you can now use both Live View and SLR-type viewing and focusing.

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Rare 180mm f/2.8 Leitz Tele-Elmarit on a Visoflex III is shown mounted on an ultra-compact Ricoh GXR. Conceived by Leitz, New York, it was marketed to photojournalist associations because of its speed and reach.

However, by far the easiest way to use the superb Leitz legacy lenses designed for the Visoflex (as well as the outstanding detachable rangefinder lens heads that mount on the Visoflex) is to bypass the Visoflex entirely and use a Visoflex Lens Adapter to mount the lens directly on your digital camera. A big bonus: These adapters let you access many advanced features built into your digital marvel that the Visoflex designers couldn’t have dreamed of. They include spot, multi-zone, and aperture-priority metering at shooting aperture, TTL flash at high sync speeds, burst rates up to 30 fps, and of course an LCD or EVF that automatically boosts the gain so viewing brightness is maintained when the lens is stopped down or under dim lighting conditions. And speaking of low light, these cameras let you shoot at sensitivity settings up to ISO 150000 and beyond.

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Rayqual Visoflex Lens Adapter for Leica M240/M10 lets you mount Viso lenses on a wide variety of digital cameras via readily available intermediate adapters.

Although Visoflex adapters are offered by Novoflex (well-made but expensive) and various Asian adapter companies (less expensive but generally mediocre), the best in terms of precision, quality, durability and price are the Rayqual Leica Visoflex adapters offered by (who else?) CameraQuest. They offer 5 types that allow Visoflex lenses to be used directly on Canon EOS, Nikon F, Fuji FX, and Sony E-mount bodies at $199,00 and another for Leica M240/M10 bodies at $149.00. Any one of these adapters can be combined with another to mount on yet another brand of camera, providing true Frankenstein versatility. The most versatile of all is the M-adapter that can yield the following enticing digital possibilities: M to L-mount, Nikon Z-mount, Canon R-mount, Canon M-mount, and of course Micro FourThirds mount.

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Rayqual Visoflex lens adapter for Canon EOS cameras provides access to different arrays of advanced features depending on the specific model.

An array of outstanding Visoflex optics

Some of the most exciting high-performance lenses in the Leitz Visoflex lens line are the 180mm f/2.8 Tele-Elmarit, a high-speed telephoto that’s a stellar choice for sports and nature photography, the acclaimed 400mm f/6.8 Telyt that’s light and well balanced enough for handheld shooting, and the 400mm f/5 Telyt, an exceptional performer that offers speed as well as reach. Other superb short mount Visoflex lenses include the renowned 65mm f/3.5 Elmar, the shortest Viso lens that focuses to infinity, the classic 125mm f/2.5 Hektor, the venerable 200mm f/4.5 Telyt first introduced in uncoated form in the mid ‘30s, the 400mm f/5.6, 400mm f/6.8, 560mm f/5.6, 560mm f/6.8, and the impressive 800mm f/6.3 Telyt, the longest and largest of the bunch. All these magnificent lenses are unsurpassed in terms of image quality and beautiful natural rendition.

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Ultra-rare 180mm f/2.8 Leitz Tele-Elmarit in Visoflex mount was introduced in March 1965 and evidently only 300 examples were made at the time.

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Classic 125mm f/2.5 Hektor in screw mount for Visoflex was introduced in the 1950s. It's a great lens with lots of vintage character.

The lens heads from older versions of the 90mm f/4 Elmar, 90mm f/2.8 Elmarit and 90mm f/2 Summicron can unscrew from their rangefinder coupled focusing barrels and attach to a Visoflex focusing helical or bellows, sometimes via an intermediate connecting adapter. All are prized by Visoflex users and can now mount directly on most modern digital cameras. Other detachable Leitz lens heads include the rare but highly esteemed 125mm f/2.5 Hektor, the 135mm f/4 Elmar, 135mm f/4 Tele Elmar, 135mmm f/4.5 Elmar. 135mm f/4.5 Hektor, and 135mm f/2.8 Tele-Elmarit. All these legacy lenses are capable of yielding distinctive high-quality images that combine real vintage character with outstanding sharpness and clarity. The fact that they can now be used seamlessly on virtually all the latest digital cameras while providing many of the latest modern conveniences is truly a miracle of “back to the future” modern technology.

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Rare 500mm f/5.6 Leitz Telyt for Visoflex combines speed and reach. It's really best atop a tripod but some intrepid souls have used it handheld with a grip.
 
Nice article but other than old school tank-like build quality of the Viso lenses, there are optically and physically better options than these Leitz lenses (unless of course you already own them) when using in a mirrorless body. The 400-800mm lenses are all astronomical non-telephoto designs of single group cemented doublets or triplets making them physically quite long usually requiring a tripod for support.
 
If I had to choose one Visoflex lens, it would be the 65mm.


Uncle Sam
by Vince Lupo, on Flickr

Taken with the Leica M-D 262 and a Visoflex III.

The 125mm is pretty nice but it weighs a ton. As has been mentioned in the previous post, the longer lenses are gigantic and there are much better options out there than those lenses (though Douglas Herr has made some wonderful wildlife photos using these lenses).

This is the 400 Telyt:


400mm f5.6 Telyt
by Vince Lupo, on Flickr

And the nice compact 560mm:


560 Telyt
by Vince Lupo, on Flickr

One thing about using the Visoflex III (not a II) on a digital Leica -- if you're using the camera in Aperture Priority Mode, you'll have to give the meter a second to 'read' the scene after you depress the Visoflex's lever, otherwise you'll end up with a blank frame. The other alternative is that you either use a handheld meter or you meter with the mirror up and then set the camera and lens accordingly. A bit of a production. Guess you could also use LiveView with the mirror up, but I think Jason's suggestion of getting the Visoflex lens adapter is a more practical option.

The other alternative - if you really want to use an old-school Visoflex on your digital Leica M - is to find yourself a Camcraft Z-Housing, then you won't have to worry about any of that. It uses a pellicle mirror, so there is no image blackout, no moving parts, no vibration. That's a good way to go if you can find one:


125 Hektor1
by Vince Lupo, on Flickr
 
If I had to choose one Visoflex lens, it would be the 65mm.

Vince,

I like the 65 also. I have some Leica/Leitz adapter that goes from Viso-Flex to R, and I stack a L-M and a M-R to have a stack of three adapters, all Leica, for use on a SL (digital) and SL2 (digital).

Bonus is that I can use this on my SL2-MOT and the metering works with just the Viso to R adapter.

Cal
 
Vince,

I like the 65 also. I have some Leica/Leitz adapter that goes from Viso-Flex to R, and I stack a L-M and a M-R to have a stack of three adapters, all Leica, for use on a SL (digital) and SL2 (digital).

Bonus is that I can use this on my SL2-MOT and the metering works with just the Viso to R adapter.

Cal

Cal now you have me thinking if there's a Viso to Hasselblad X adapter - the 65 would be interesting on my 907x :)
 
Cal now you have me thinking if there's a Viso to Hasselblad X adapter - the 65 would be interesting on my 907x :)

Vince,

Way back some 65's were used on 645 cameras. I posted about this but now I can't remember where I saw it. Pentax???


Cal
 
Hypnotizing.

These articles, posts, and photos of the Visoflex have made me get >>>this<<< close to buying one.


It’s the Art of Gadgetry.
 
Although I have a proper Visoflex III, and have used it occasionally on my M6TTL, I mostly use the Bellows II with an adaptor on my Fuji X cameras (X-E1 and now X-E3).


P1020830 by Drew Saunders, on Flickr

With the Velbon macro slider and Manfrotto geared head, I can have quite a lot of control when taking macro shots.

I have the M lens adaptor for the Bellows, so I can even use the 35mm f/2 for extreme macro. So extreme I have to remember to take the hood off the lens so it won't hit the subject.

Should I ever get an M digital and "E" Visoflex, I'll get the appropriate tube, but I might still at least hook the whole beast up just once!

I have the 200/4 for Visoflex, and I've used it with my Fuji, but optically, it's just not that good of a lens. I don't have any of the focusing helicoids to use my c. 1960 90/2 head or 1973 135/2.8 head, both of those only get used on the bellows.

Thanks for the articles!
 
Another vote for the 65, I'm told the later black version was recomputed but have no experience of it.

The 560 is unmanageable, even on an SLMOT at 1/2000. I tried to use it afloat, wonderful foreshortening but shoulder stock and all it is real hassle.

Don't take it anywhere near an airport.
 
Thanks for the informative article. I do use these lenses with Visoflex IIs on M and LTM cameras. The Viso II's adjustable eyepiece works for me; the Viso III not so much. I would like to add a digital mirrorless or other camera so I can use the lenses. I have a 65, 200, 280 (two of them, older and newer), a 400 5.6 and a 560 5.6. I do use older EOS digital bodies - 7D and 70D - for work but I want something that I can peak the focusing. Suggestions appreciated. Thanks.
 
I think Vince has a more comprehensive viso kit than most of us. I have a regular viso III and a micro viso III. The micro has removable screens and appears to be adjusted to work best in close up range...... it doesn't seem to like distant subjects. I got the 39mm adapter for my bellows II and some micro lenses (no Leitz yet) and it works well with the digital Leicas and film Leicas. I enjoy the other viso lenses and I would like to get the black 65. Articles like the OP make it harder, (people snap up all the good lenses) although I found it funny that it seemed like we could go out and find a 180/2.8 and see what all this visoflex stuff is about.
 
I think Vince has a more comprehensive viso kit than most of us.

Not anymore - all my Leica stuff is gone. Made the switch to Hasselblad late last year. Having said that, my Camcraft Z-Housing and the 65mm lens were the perfect combo for a digital M setup.
 
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