I just looked through this thread and it has a few RFFers who have passed on to the great darkroom in the sky. Nice to see their posts and their photos.
I really wish I got one of these 50/2.5 Color Skopars years ago. Now the LTM version is out of production, they cost more than many LTM Leica lenses! :bang:
Phil Forrest
I can relate to this now that I've just bought one. This damn thread, which is one of the most popular on the forum, used to live rent-free in my head all the time. It's one of those lenses I couldn't take my eyes off even though I knew it wasn't the best value for money.
🙄 😀
Finally the stars aligned and I had the coin and the timing to win one at auction, for only slightly more than the original retail price (well, probably less accounting for inflation). I was curious and went through all the current and recently sold listings and wrote down what serials I could find. On 16 samples, 6 black and 10 chrome, the average sold/buy-now price is 630 USD which amounts to a 53% premium over the original retail price. Quite incredible! The lens was produced in 2 series for LTM and production seems to be about 3500-4000 units in LTM and 1000-1500 units in Nikon S (which remains an affordable way to buy it and some of the others).
As has been said here before, not many were produced or sold, probably because it is not the sharpest lens in existence considering the small aperture (while the Heliar lenses are very sharp), as it doesn't use fancy materials like ED glass or aspherical elements. It must be one of the last modern 'classic' lenses produced, and due to its compact design you'll find that many vintage lenses are actually much sharper wide open between F1.4 and F2. Those who own it really like it, so few come up for auction at good prices or in perfect condition.
My initial impression is that actually, the lens is unlike my other lenses - in the way that the overall contrast is so high and it seems to have no imperfections on low frequency details, but even many vintage lenses are actually sharper and of higher contrast on fine details, at least in the centre. The aperture ring on mine rattles but I guess there is just a loose set screw inside. The focus isn't as smooth as I'd like either. Besides that, it was basically unused according to the seller.
Today I think you are actually better off buying one of the newer M-mount lenses like the 40mm F1.4 which is only 3mm longer (Skopar without any hood or filter) and 3mm wider (radius) at the widest point. It's also about $230 cheaper than the average price of the 50/2.5.
The only reason I didn't get that myself is because I have a Bessa R and the M-mount Bessas have grossly increased in price in the past 1-2 years. With the new Voigtlander M APO 50/2 and 35/2, I intend to buy those before they are discontinued even if I don't own an M-camera to use them on. I expect those will be really popular like the 40/1.4 and not discontinued in the future, though. If you don't want to crop images then the newest 50/1.5 in M-mount is optically improved over previous versions and in a more compact body - short but wide. Of course this is useless advice if, like me, you don't own an M-mount body already. The question you have to ask is: are you just looking for a compact lens, or are you looking for this lens specifically?
I guess what I'm saying is - if you want one, the prices probably aren't coming down - ever - but you should also buy it for the right reasons otherwise you may be disappointed with its performance. I will shoot a roll on some colour film with mine soon.
Who knows, Cosina might just release a modern version in M-mount, and I hope they can do it justice with high performance elements - maybe even design it as a 'budget APO'. The 50/2 APO is 120,000 JPY, so I think there is room for a budget model that also doesn't cannibalise sales of the other M lenses.
Maybe we should send them a petition asking for the newest lenses in LTM too? I don't know why they don't, they would be able to increase LTM-VM adapter sales 3-fold like Sony.
🙂