Swift1
Veteran
Olympus E-P1
M.Zuiko Digital 17/2.8
ORF Raw processed with ACR
Larry Cloetta
Veteran
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Olympus E-P1
M.Zuiko Digital 17/2.8
ORF Raw processed with ACR
That looks sort of magical, Colton.
Swift1
Veteran
ThomasM
Well-known
Larry Cloetta
Veteran
JohnBeeching
Well-known
Andrea Taurisano
il cimento
Swift1
Veteran
That is quite spectacular!
Larry Cloetta
Veteran
That is quite spectacular!
Thanks, Colton.
The geographic features are fairly “can’t miss.” Every time I have to drive out to the airport I take a run up there to see “what it looks like today.” Or, what does it look like with the film that’s in the camera today? Two days ago it was CMS II, which I haven’t found to be the easiest to work with, in terms of contrast. 36 keepers seems to be a distant goal. ASA 12, and hand held on this one, so the fear of very low speed film is probably overblown. (Though, as resolving as this film is, a tripod would have been better. ) Everything is an experiment.
Thanks, again.
Moto-Uno
Moto-Uno
Well "Larry" , that's one definite keeper
. Peter
Larry Cloetta
Veteran
Well "Larry" , that's one definite keeper. Peter
Thanks, Peter.
Bingley
Veteran
nickthetasmaniac
Veteran
Corran
Well-known
Diana F+, 38mm lens + 6-stop ND filter, HP5+ dev'd in HC-110 dil. H, 15 second exposures @f/22:


cjm
Well-known
Bryce Canyon NP, Utah // F2, Micro-Nikkor 55mm, Tri-x

Vince Lupo
Whatever
Diana F+, 38mm lens + 6-stop ND filter, HP5+ dev'd in HC-110 dil. H, 15 second exposures @f/22:
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Nice ones. I particularly like the stillness of the top one combined with the motion of the bottom one.
cjm
Well-known
Corran - impressive results with a Diana F!
Corran
Well-known
Thank you both. Good point on the dichotomy between stillness and motion!
Brad Bireley
Well-known
Minolta Autocord
Agfa APX 100
Agfa APX 100

kuvvy
Well-known
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