What are your Fuji G 6x9 dream items?

Jchrome - could it just be a booster to make sure that the shutter linkage trips the shutter?


That's possible.

I've been over it in my head. I believe Fuji wanted just one interface for winding and tripping the shutter (as opposed to two separate ones like in the BL bodies). Companies are motivated to reduce the amount of parts in their cameras, and this is probably the driving factor.


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OXYMORON to me?

Easier to find a 50 for the Mamiya Press, for a bit better price..

Well, that's the problem. The Fuji 50mm is priced stratospherically considering the alternatives. Why? I am guessing simply scarcity? I've never investigated the number of lenses made.

The point though, is I would certainly utilize the Fuji 6x9 system more if the lens options weren't priced so dearly. Personally, the Fuji 6x9 was a bargain camera I picked up to try out. I didn't know the wide lenses were so expensive when I got the camera (and a standard lens, of course). Hence it's been used infrequently, but it makes a good candid camera (I just tend to shoot more landscapes and such). I might sell it.
 
That's quite normal. The futher you go back, the less wides there are. If I look at my Korelle, a 80mm is the widest there is (for a 6x6).
 
True enough, at least for MF. I'm spoiled with my 4x5 lenses, of which a 90mm is my most frequently used, equivalent to roughly a 50mm on 6x9 - and a focal length that has been available for 100 years.
 
Do you mean 'Seiko' shutter? Seiko and Copal are two different companies.

I don't know whether they actually ever merged some of their shutter activities like their German counterparts making Compur and Prontor shutters (Nidec now owns both Copal and some formerly Seiko/Epson divisions, but that is a fairly recent development), but they doubtlessly standardized their mechanical #0 and #2 shutters - these were plug-in compatible for much of the seventies to nineties, and Fuji in particular mixed between them across batches.
 
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