Ben Z
Veteran
Well I came over to Leica from a Pentax Spotmatic so downgrading from 1/60 to 1/50 flash synch wasn't that much of an inconvenience 😀
But seriously...I'm not one of those guys who sits on the edge of his chair waiting for the next upgrade so I can dump my "obsolete" camera for a couple more MP or a bigger LCD or a little less noise @ ISO 3200. I continue to use my Canon 20D past the 30D and 40D, not to mention the 5D, despite the shame of being seen in public with a paltry 8MP 4 year old camera 🙄 because it works for me as good now as it did then. However I resisted buying an M8 rather staunchly at first. $4800 seemed like a ripoff for a cropped, 10MP camera (my 20D was $900 as a refurb). The IR filter thing did, and still does rattle my sense of what makes sense, and then there was the string of DOA's and all that hullaballoo. To this day, you can string me up by my thumbs, I don't see anything WOW in the M8's IQ over the 20D. Maybe it doesn't need as much post sharpening. But once I've sharpened the 20D raw's (thanks, Fred Miranda) I couldn't ask for better print quality. I know others will disagree. I'm not a crackerjack post-processer, I'm still learning this stuff. So maybe they are right. But in my hands with my skills, the difference isn't significant. What the M8 gives me is a camera which, with lens removed, slips into the inside, zipper pocket of my Travelsmith sport coat, and the lens slips into the opposite pocket, with no telltale bulge. I don't have to look like a tourist all the time. I can get on a metro or sit at an outdoor cafe without a big camera bag in my lap. I can't do that with the 20D, or even a Rebel. I'd have to go to a tiny-chipped pocket-sized digital with unlimited d.o.f. for that, and sacrifice any possibility of selective focus. The M8 was an extravagance to be sure. Fortunately I'm comfortable enough I could buy it without a major sacrifice somewhere else in my life. If not, I'm sure I wouldn't have considered it, just as in my wildest dream I don't see myself owning one of those 39-MP medium format digitals.
But seriously...I'm not one of those guys who sits on the edge of his chair waiting for the next upgrade so I can dump my "obsolete" camera for a couple more MP or a bigger LCD or a little less noise @ ISO 3200. I continue to use my Canon 20D past the 30D and 40D, not to mention the 5D, despite the shame of being seen in public with a paltry 8MP 4 year old camera 🙄 because it works for me as good now as it did then. However I resisted buying an M8 rather staunchly at first. $4800 seemed like a ripoff for a cropped, 10MP camera (my 20D was $900 as a refurb). The IR filter thing did, and still does rattle my sense of what makes sense, and then there was the string of DOA's and all that hullaballoo. To this day, you can string me up by my thumbs, I don't see anything WOW in the M8's IQ over the 20D. Maybe it doesn't need as much post sharpening. But once I've sharpened the 20D raw's (thanks, Fred Miranda) I couldn't ask for better print quality. I know others will disagree. I'm not a crackerjack post-processer, I'm still learning this stuff. So maybe they are right. But in my hands with my skills, the difference isn't significant. What the M8 gives me is a camera which, with lens removed, slips into the inside, zipper pocket of my Travelsmith sport coat, and the lens slips into the opposite pocket, with no telltale bulge. I don't have to look like a tourist all the time. I can get on a metro or sit at an outdoor cafe without a big camera bag in my lap. I can't do that with the 20D, or even a Rebel. I'd have to go to a tiny-chipped pocket-sized digital with unlimited d.o.f. for that, and sacrifice any possibility of selective focus. The M8 was an extravagance to be sure. Fortunately I'm comfortable enough I could buy it without a major sacrifice somewhere else in my life. If not, I'm sure I wouldn't have considered it, just as in my wildest dream I don't see myself owning one of those 39-MP medium format digitals.
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