mxwit
Newbie
Hello everyone,
I'm a new member here, just purchased an R-D1 (thanks zoom2zoom) and am trying to decide on a lens for it. I use a 5d plus 24-70 for most of my work, but wanted to get back to a rangefinder. In the film days (as a working photojournalist, I was virtually forced to switch to digital), my favorite setup was an M4P with 35/1.4. I'd like to get as close to that setup as possible with the R-D1.
So, it seems that means a 21mm, and I tend to shoot a lot in low light and prefer shallow DOF...so that means 2.8. The Zeiss ZM 21/2.8 seems like the best value, but the lens looks quite large/long. One of the big appeals of RFs for me is the small size, and I'm thinking the ZM might negate this somewhat.
I think I can get a Leica pre-asph Elmarit 21/2.8 for a couple hundred more than the ZM. I think it's a smaller lens, but am having a hard time finding any specs or photos.
Is the Elmarit noticeably smaller than the ZM?
thanks for your help,
max
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www.maxwhittaker.com
I'm a new member here, just purchased an R-D1 (thanks zoom2zoom) and am trying to decide on a lens for it. I use a 5d plus 24-70 for most of my work, but wanted to get back to a rangefinder. In the film days (as a working photojournalist, I was virtually forced to switch to digital), my favorite setup was an M4P with 35/1.4. I'd like to get as close to that setup as possible with the R-D1.
So, it seems that means a 21mm, and I tend to shoot a lot in low light and prefer shallow DOF...so that means 2.8. The Zeiss ZM 21/2.8 seems like the best value, but the lens looks quite large/long. One of the big appeals of RFs for me is the small size, and I'm thinking the ZM might negate this somewhat.
I think I can get a Leica pre-asph Elmarit 21/2.8 for a couple hundred more than the ZM. I think it's a smaller lens, but am having a hard time finding any specs or photos.
Is the Elmarit noticeably smaller than the ZM?
thanks for your help,
max
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www.maxwhittaker.com
Roger Hicks
Veteran
Not a lot in it: I've had both. From memory, the Leica lens is slightly smaller, but not enough to worry about. If either were grossly oversize, I'd remember.
Also consider a 4/16-18-21 Tri-Elmar, a seriously nice bottle. The difference in d-o-f between f/4 and f/2.8 really ain't all that great with a 21.
Cheers,
R.
Also consider a 4/16-18-21 Tri-Elmar, a seriously nice bottle. The difference in d-o-f between f/4 and f/2.8 really ain't all that great with a 21.
Cheers,
R.
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foto_fool
Well-known
Roger will second that the Avenon/Kobalux 21/2.8 is a small and tidy package. Also that with a 21mm even at f2.8 the DOF is not portrait-style shallow.
Roger Hicks
Veteran
...Preferably with one of the other finders 'cos the Avenon/Kobalux/Pasinon finder is HUGE and not especially good.foto_fool said:Roger will second that the Avenon/Kobalux 21/2.8 is a small and tidy package. Also that with a 21mm even at f2.8 the DOF is not portrait-style shallow.
I have both the Pasinon and the 21/4 Voigtländer and use the f/2.8 when I need the speed, the Voigtländer when I want something more compact. Depth of field does not really enter into it.
When I borrowed the Zeiss I did not see enough advantage over the Pasinon to replace it, though if I had no 21mm I'd probably go for a 21/2.8 (or the Tri-Elmar) rather than f/4 or f/4.5.
Cheers,
R.
mxwit
Newbie
Thanks guys...keep em coming!
Yeah, DOF between f4 and 2.8 isn't much, but that extra stop of light is a huge difference and very needed.
I've heard of the Kobalux/Avenon, but haven't seen one available for sale. Anyone have a black one they'd like to sell?
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www.maxwhittaker.com
Yeah, DOF between f4 and 2.8 isn't much, but that extra stop of light is a huge difference and very needed.
I've heard of the Kobalux/Avenon, but haven't seen one available for sale. Anyone have a black one they'd like to sell?
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www.maxwhittaker.com
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mars
Member
ZM21 is longer but narrower.. 21f2.8 pre-asph is shorter but larger.
For example, 21f2.8 pre-asph use E60 filter and ZM21 uses E46. Besides, it has a huge lens hood.
The length for 21f2.8 pre-asph is 46.5mm and ZM21 is 64mm..
From the practical point of view, ZM is smaller.....
For example, 21f2.8 pre-asph use E60 filter and ZM21 uses E46. Besides, it has a huge lens hood.
The length for 21f2.8 pre-asph is 46.5mm and ZM21 is 64mm..
From the practical point of view, ZM is smaller.....
mxwit
Newbie
Good info, mars. Thanks.
Length is more critical to me than width, although I hear you on the Leica hood – that thing looks huge.
thanks guys...
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www.maxwhittaker.com
Length is more critical to me than width, although I hear you on the Leica hood – that thing looks huge.
thanks guys...
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www.maxwhittaker.com
ERV
Well-known
Another option is the Zeiss 21mm f4. I tried one at B and H over the weekend and its an amazing lens and about the size of a 35mm summicron.
Its F4, however. Congrats on the RD-1. Its a great camera.
Its F4, however. Congrats on the RD-1. Its a great camera.
Kawabatnam
Established
Hi, sorry not to agree... With the R-D1, choose the Zeiss 21/2.8 or the Leica, not the Zeiss 21/4.5 (max aperture is 4.5 not 4): they are more or less in the same range sharpness-wise, and their respective sizes should not bother you at all (just think how large their SLRs equivalents are...). However, vignetting-wise it is another (sad) story: the Zeiss 21/4.5 displays really strong vignetting at all apertures, maybe even worse than the Cosina Voigtlander 21/4 P (which wins easily the compactness race anyway), while vignetting from the Zeiss 21/2.8 (from my own experience) or the Leica (from Sean Reid's review) is quite mild to non-existent. Note that on film, the Zeiss 21/4.5 seems very good (from Tom A's flickr's pages and posts here at RFF). I have no direct experience with the Avenon/Kobalux though it looks not much larger than the Zeiss 21/4.5. Hope this helps.ERV said:Another option is the Zeiss 21mm f4. I tried one at B and H over the weekend and its an amazing lens and about the size of a 35mm summicron.
Its F4, however. Congrats on the RD-1. Its a great camera.
ERV
Well-known
Kawabatnam said:Hi, sorry not to agree... With the R-D1, choose the Zeiss 21/2.8 or the Leica, not the Zeiss 21/4.5 (max aperture is 4.5 not 4): they are more or less in the same range sharpness-wise, and their respective sizes should not bother you at all (just think how large their SLRs equivalents are...). However, vignetting-wise it is another (sad) story: the Zeiss 21/4.5 displays really strong vignetting at all apertures, maybe even worse than the Cosina Voigtlander 21/4 P (which wins easily the compactness race anyway), while vignetting from the Zeiss 21/2.8 (from my own experience) or the Leica (from Sean Reid's review) is quite mild to non-existent. Note that on film, the Zeiss 21/4.5 seems very good (from Tom A's flickr's pages and posts here at RFF). I have no direct experience with the Avenon/Kobalux though it looks not much larger than the Zeiss 21/4.5. Hope this helps.
I'm not sure I agree about the vignetting.
This is the Zeiss 21mm 4 on my M8 at B and H, straight up, no filter or lens coding.
Looks good to me.
Attachments
sonwolf
Established
ERV said:I'm not sure I agree about the vignetting.
This is the Zeiss 21mm 4 on my M8 at B and H, straight up, no filter or lens coding.
Looks good to me.
Lenses produce greater vignetting on an R-D1 than an M8. The Leica possesses both complex optical and software systems to minimize vignetting, which are totally absent from the Epson.
willie_901
Veteran
I can accept the M8's sensor design being superior with regard to vignetting.
I am puzzled how the Leica firmware can properly attenuate vignetting if the lens is not coded. Please enlighten me.
Also for uncoded lenses, the FOV for a given lens' focal length is smaller for the RD-1, so wouldn't the lens' inherent vignetting be less of an issue with the smaller sensor?
Finally, a couple of years ago I seriously researched the NIKON D100 DSLR which uses the same sensor as the RD-1. I do not remember reports of extraordinary vignetting with wide-angle lenses.
I am puzzled how the Leica firmware can properly attenuate vignetting if the lens is not coded. Please enlighten me.
Also for uncoded lenses, the FOV for a given lens' focal length is smaller for the RD-1, so wouldn't the lens' inherent vignetting be less of an issue with the smaller sensor?
Finally, a couple of years ago I seriously researched the NIKON D100 DSLR which uses the same sensor as the RD-1. I do not remember reports of extraordinary vignetting with wide-angle lenses.
Honus
carpe diem
mxwit said:... I tend to shoot a lot in low light and prefer shallow DOF...
Max,
I went to your website to take a look at your work. Excellent images.
Back to the topic, let me suggest a contrarian opinion. Rather than trying to fit your preferred field of view (35mm) to the camera, may I suggest using a 35/1.4 just like you did before. The lens will give you the speed and dof control that you need, but with a more cropped field of view (53mm). For those times when you need the width, you could supplement it with a slower 21mm lens. The field of view will fit right in the middle of what you are using with your 5D (24-70).
When I purchased my R-D1, my biggest concern was adapting to the 1.5 crop factor. In reality, I end up using my 35/2 and 50/1.4 lenses in much the same way that I use them on my Leica M2.
Just a little more info to chew on. Good luck.
mars
Member
mxwit said:Good info, mars. Thanks.
Length is more critical to me than width, although I hear you on the Leica hood – that thing looks huge.
thanks guys...
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www.maxwhittaker.com
Just took out my ZM21 and my 21 pre-asph and try to see how big they actually are..To be surprised, the ZM is indeed not much longer.. I guessed they take the measurement from the bottom to the filter thread. In the case of the ZM, it is significant longer (~0.8cm) because the element stick out due to the biogon design?? in the case of the Leica, the front is sooo much bigger especially with the hood. I don't have the hood with my ZM, so I can't compared directly. Anyhow, I here attached few pictures
Attachments
mxwit
Newbie
Honus: Thanks for the kind words about my work. I think there's a good chance that you're right, but I'm going to have to try my preferred FOV and see what takes hold.
mars: Thanks so much for the pictures! That helps a bunch...
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www.maxwhittaker.com
mars: Thanks so much for the pictures! That helps a bunch...
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www.maxwhittaker.com
ampguy
Veteran
that was my experience too
that was my experience too
with the RD1. Was using a Rokkor 40/2 on film cameras, and it became my favorite on the RD1, even at ~60mm or so. I went back to 28 and 35 on the RD1s to try, and always reverted to the 40/2 on that body, while I am now into 50s and 75s on film.
that was my experience too
with the RD1. Was using a Rokkor 40/2 on film cameras, and it became my favorite on the RD1, even at ~60mm or so. I went back to 28 and 35 on the RD1s to try, and always reverted to the 40/2 on that body, while I am now into 50s and 75s on film.
Honus said:Max,
I went to your website to take a look at your work. Excellent images.
Back to the topic, let me suggest a contrarian opinion. Rather than trying to fit your preferred field of view (35mm) to the camera, may I suggest using a 35/1.4 just like you did before. The lens will give you the speed and dof control that you need, but with a more cropped field of view (53mm). For those times when you need the width, you could supplement it with a slower 21mm lens. The field of view will fit right in the middle of what you are using with your 5D (24-70).
When I purchased my R-D1, my biggest concern was adapting to the 1.5 crop factor. In reality, I end up using my 35/2 and 50/1.4 lenses in much the same way that I use them on my Leica M2.
Just a little more info to chew on. Good luck.
DwF
Well-known
This thread is played a bit but I hope this will help.
Below is link to a page with several photos taken hand-held with R D1 and 21mm Elmarit. I haven't used it much lately but plan to again. I really like the lens and would recommend it to anyone considering buying one. I personally preferred the feel of it to the Zeiss, and emphasize "personally".
The Fountain Shot in that gallery revealed some vignetting (exp. is wide-open) as is to be expected and it was easy to deal with and not real bad or problematic. Others shot with the 21 are: At the Workbench, Readers, and there is the shot of the lens on the R D1 Body. Note shutter speeds in low light! The lens balances nicely on this camera body.
http://www.pbase.com/bitonal/epson_r_d1&page=all
David
Below is link to a page with several photos taken hand-held with R D1 and 21mm Elmarit. I haven't used it much lately but plan to again. I really like the lens and would recommend it to anyone considering buying one. I personally preferred the feel of it to the Zeiss, and emphasize "personally".
The Fountain Shot in that gallery revealed some vignetting (exp. is wide-open) as is to be expected and it was easy to deal with and not real bad or problematic. Others shot with the 21 are: At the Workbench, Readers, and there is the shot of the lens on the R D1 Body. Note shutter speeds in low light! The lens balances nicely on this camera body.
http://www.pbase.com/bitonal/epson_r_d1&page=all
David
victoriapio
Well-known
Mxwit,
I use the Biogon: http://www.ocgarzaphotography.com/gallery2/v/EpsonRd-1Swork/ and would recommend the new Voitlander 28mm finder for it - small and bright.
O.C. Garza
I use the Biogon: http://www.ocgarzaphotography.com/gallery2/v/EpsonRd-1Swork/ and would recommend the new Voitlander 28mm finder for it - small and bright.
O.C. Garza
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