Ah, film...
Ah, film...
Chocolate christ in heaven film is NOT dead. But be QUIET ABOUT IT. In the meantime, we can buy film gear with f'ing pocket change.
And not that you asked, but I was APPALLED that Leica spec'd out their CCD to Kodak (that's good) but are somehow blissfully making themselves look stupid in pedaling the greatness of a 1.3-something crap factor oops my bad.
Frankly, if someone's going to take a second mortgage on their house for an M8, Leitz/Leica/Kodak could at least offer a full frame sensor. I think Joe Ferrari with his Breitling and McMansion mortgage can swing it.
I don't care about how 24x36 came about, but for BARNACK'S MOM'S SAKE, cover the WHOLE FRAME. Assuming I would have the money for a digital M, I have no interest in having my 50mm Elmar/Serenar/Nikkor-? whatever pumped up to 65mm (worse for the wider lenses).
The fact is that 24x36 got there first, and almost every lens mf'd after was made for that frame. There. We're stuck with it. If I'm going to pay oodles of money for the canonical "one hell of a box brownie", I want the real-estate.
BTW, I'm not a purist: I love my D70 and it's 1.5 factor. I think SLR aficionados who are delaying a purchase and waiting for a full frame sensor are wasting their time. But yeesh. This is a Leica.
Yow sry rant. But I don't kid.
-CJ
----
"...on a tiny negative
capable of infinite enlargement.
You see, your American lads,
you came up with a new film emulsion...
...very hush-hush,
but 100 times more sensitive...
...than anything previously available.
And the negative is miraculously developed
within the satellite itself.
You put our film in your camera
and you had a hell of a box Brownie.
No, the Russians had.
We lent it to you fellows, and you lost it. "