boojum
Ignoble Miscreant
The lens is great for skin tones. I would like to use the lens more, it is a very fine lens, much better than the Summar, Summitar and the early versions of the Summicron. Its optics are made by Taylor, Taylor and Hobson - not the least of the lens makers to put it mildly - for use on the American "Foton" camera. The version I have is in a rather clumsy way remounted on a Summitar frame, but sofar I've managed to keep it working.
gelatin silver print (cooke amotal 50mm f2) leica m2
Amsterdam, 2022
View attachment 4848277
Yes, I know of the Bell & Howell Foton. I am sorry it failed but we sure wound up pretty well as a result. Cooke now makes wonderful cine lenses only. The Cooke all have that magic glow. I do not know the technical side of lenses but I do know I favor very much what that Amotal does with light and color. This is the one I bought:
It is currently with Sonnar Brian who has used it in his 50mm lens tests. He found some small problems which he fixed, a nice guy. I like how it does light and color very much. Here it plays nice with some boats in the town drydock. We have fishing boats and some pleasure boats. These three were shot on an M9 with the Leica replaced sensor/sensor glass and circuit board.
This one I favor because of how the lens handles the red of the old railroad station building, very gently.

And this one. And these are the ones I favor for what the Amotal has done with color and light. I have the Skyllaney Bertele Sonnar which is really good, great color, but a little bolder that the Amotal. Both great UK lenses. Proost

Last edited: