So if the canikons are for the masses and the pros.... Who are the leicas for? Different market you say. Is it the dentist market 😱
Ferrari is a good comparison. Nobody have ever gotten a ferrari as a status symbol 😀
I probably should have said market
segments. Lots of Canon shooters have a Leica in their arsenal. Lots of Nikon shooters have a Leica in their arsenal, but few of them have invested in Leica as a
system because they're invested in their DSLR system. Neither of them really care too much about what Leica is doing. Leica shooters often have something else at their disposal, but few who are heavily invested in a system will seldom dump their entire system to switch.
If a DSLR is your thing, then that's what you're going to stay with. You have choices in that market segment; Leica is not one of them. If your thing is a bright line coupled coincident rangefinder/viewfinder and you want digital, then Leica is the only choice available. They're different market segments altogether.
Unlike the hobbyist with a body and a couple of lenses, pros don't switch lightly or often. It's expensive and there's a learning curve each time. It's sometimes difficult to carve out the time to learn new gear in between scheduled engagements, and you have to know your gear inside and out. Figuring something out on someone else's dime during a shoot isn't what you're getting paid for.
I switched from Leica to Canon in about 1987 after the EOS1 was introduced. I kept my Leicas, but they didn't see much commerical use. I also sold my Mamiya C330 system and changed to Hasselblad in 1990 and stayed with that for ten years until 2000 when I sold all my Canon AND Hassy gear and got out of pro photography for a while. When I came back in '03 or so, I bought Olympus digital and stayed with Olympus until last year when it was clear that the next iteration of pro gear is going to be EVFs. I switched back to Leica since I can have Leica digital now. I have also re-acquired a more recent Hassy 500 system with a specific market in mind to target. I still have the same 1975-vintage corded Norman studio lighting system I bought in 1990. I know it inside and out, and I have no reason to replace it.
I don't care what Canikony comes out with in the way of bodies or sensors; until they have a rangefinder body that takes M lenses, or they make a stand-alone aftermarket digital back for Hassy that's affordable, I'm just not interested. Likewise, most Canikony owners don't particularly care about what Leica does.