dfoo
Well-known
You can find full resolution plustek and Nikon 5000 scans on flickr. Of course, without doing a side-by-side comparison on the same negative you cannot really tell. However, from a casual look the Nikon 5000 scans are clearly superior... but perhaps not $800-1000 superior
The workflow of the 5000 is definitely far superior. The plustek, from what I understand, can only scan a single negative at a time. The Nikon can do a whole roll if you have the roll adapter, or have suitably hacked the film loader.
bmattock
Veteran
...necessary for serious photographers (who by definition print their own and don't tolerate cheap photolab scans).
That's the end-game for my side of the discussion. If I don't agree with you, I'm not a 'serious' photographer. All I can say is I disagree, whether that makes me a 'serious' photographer or not. And I carry and use a Fujica G690 and two lenses, as well as my digital kit, so there.
JTK
Established
To the contrary. And in addition to that, MF format film 'blows away' anything your K20D can produce. And I'm a dSLR fan too, although I only have an *ist DS.
No need to quibble. K20D @ 1600iso B&W produces a long tonal scale, very little noise (does look like modest TriX grain @800). This is far better than *istDS, though that's a fine tool as well.
I've not seen much good MF, ever, among amateurs. I shot a lot of 6X7 and 6X9 and it's certainly capable of fine images of static subjects. None of the MF cameras have ever approached the ruggedness of K20D (or K10D), and that's a real issue for active photographers...explains why Mamiya/Fuji rangefinders vanished.
I've processed film properly (ie Nikor/Kinderman stainless) in a bathroom or wherever, in the daylight, using a changing bag for thirty-plus years, using darkrooms for printing up until I got a Nikon V scanner. Perhaps happily, the total demise of good scanners (unless Plustek's smarter than they seem) will make return to optical printing necessary for serious photographers (who by definition print their own and don't tolerate cheap photolab scans).
Last edited:
JTK
Established
To the contrary. And in addition to that, MF format film 'blows away' anything your K20D can produce. And I'm a dSLR fan too, although I only have an *ist DS.
No need to quibble. K20D @ 1600iso B&W produces a long tonal scale, very little noise (does look like modest TriX grain @800). This is more than 3X higher detail resolution than *istDS, though that's a fine tool as well. My impression is that K20D soundly beats 645 but doesn't rival 6X6 (I like square images). This is all irrelevant because nobody's making MF cameras anymore, and if someone was after maximum detail they'd be shooting LF anyway, or making elaborate 27frame mosaics digitally.
I shot a lot of 6X7 and 6X9 and it's certainly capable of fine images of static subjects ...this kind of discussion can go on forever...8X10 film is infinitely beyond 4X5.
In more practical terms, none of the MF cameras have ever approached the ruggedness of K20D (or other medium-top tier DSLRs), and that's a real issue for active photographers... fragility is one of the reasons Mamiya rangefinders were terminated.
To the extent that we care about image quality, the current Mamiya MF DSLR and top Nikons/Canons do far exceed 645 film in every respect, not to mention my Pentax, and they're obviously afforadible to profitable pros.
I've processed film properly (ie Nikor/Kinderman stainless) in a bathroom or wherever, in the daylight, using a changing bag for thirty-plus years, using darkrooms for printing up until I got a Nikon V scanner. Perhaps happily, the total demise of good scanners (unless Plustek's smarter than they seem) will make a few heroic die-hards return to optical printing necessary for their serious goals( by definition they only print their own and don't tolerate $2 scans).
Last edited:
Jonas
Established
Dunno about the 5000, but I heard that the 9000 is on its way out. Directly from a friend that works for Nikon... No words about replacement. Sad if its true. Didnt ask about the 5000. He told me this about 6 months ago.
mh2000
Well-known
Wrong! B&W looks different from film than digital... even though I have made nice digital b&w images that hang happily next to my scanned and inkjet printed b&w film images.
>>I suspect that few who worry about demise of scanners have yet experienced success with DSLR/inkjet.
>>I suspect that few who worry about demise of scanners have yet experienced success with DSLR/inkjet.
kuzano
Veteran
Why would they do that....
Why would they do that....
Is Nikon making film cameras...particularly announcing new ones?
I don't know.... I'm just asking. (And anyone is welcome to invite me to do my research before posting.)
If their not, why would they pursue another avenue of film that is very likely not profitable....scanning film?
Why would they do that....
Is Nikon making film cameras...particularly announcing new ones?
I don't know.... I'm just asking. (And anyone is welcome to invite me to do my research before posting.)
If their not, why would they pursue another avenue of film that is very likely not profitable....scanning film?
bcostin
Well-known
Disappointing. Maybe I should buy a 9000 while they're still available new. My Coolscan V won't last forever, and three generations of slides and negatives aren't going to scan themselves.
I suppose that's what would bother me most if decent mid-range film scanners do disappear from the market. It'll raise the cost of archiving and sharing our old photos. A few hundred dollars for a Coolscan V wasn't too much to swallow, particularly since I'm shooting film myself, but I doubt that I could afford to send my "collection" of family slides and negatives off to be professionally scanned.
I suppose that's what would bother me most if decent mid-range film scanners do disappear from the market. It'll raise the cost of archiving and sharing our old photos. A few hundred dollars for a Coolscan V wasn't too much to swallow, particularly since I'm shooting film myself, but I doubt that I could afford to send my "collection" of family slides and negatives off to be professionally scanned.
Last edited:
Faintandfuzzy
Well-known
The coolscans are dead...face it !
And your source?
Harry Lime
Practitioner
Disappointing. Maybe I should buy a 9000 while they're still available new. My Coolscan V won't last forever, and three generations of slides and negatives aren't going to scan themselves.
I have both the 5000ED and 9000ED. Both are at the top of their class. The 9000ED is the closest thing to a IMACON 343 you're going to find this side of $5000 or more...
If the 9000ED is really gone, then that's a pretty serious blow to anyone still shooting film. Who can afford an Imacon these days? Hasselblad/Imacon discontinued the base model (about $4000). The most affordable model is now around $6000-8000.
Ouch.
kievman
Kievman
I wouldn't be surprised if Nikon Discontinued its scanner line altogether. which is sad, but unfortunately it comes down to simple economics in the name of EPSON- Epson's v750 scanner can make scans compariable to the Nikon 9000 and costs only about half as much. Som might argue the 9000 is better but most would say only marginal better. and not 600-800.00 better. And epson keep on coming out with new models of their scanners every month it seems, especially their cheaper models. BTW I own 2 nikon scanners- a coolscan 4 and 5 and 1 epson scanner, a 4190 photo, which I use for MF, It does a OK job on the MF and makes decent if not great 35mm scans. the nikons certainly do a better job. but for the 200.00 NIB price, it was well worth it -` Michael
Last edited:
jke
Well-known
Whether or not Nikon makes scanners, the problem will eventually be software and/or connectivity. Once the operating systems change enough to require new drivers or the computer manufacturers decide to go with a faster, differently shaped/operated interface, owners of scanners & other peripherals will be at the mercy of the gods (Hamrick?) But I guess this shouldn't be too shocking. Digital cameras also face the same sort of obsolescence potential, unless manufacturers decide that legacy support is an important part of their business model.
Still, I think if you have a couple thousand dollars or more tied up in Leica film equipment and you don't intend to buy an M8.x, spending $1500 or so on an excellent film scanner is perhaps a decently smart investment in film technology. Or move to NYC where film lives.
Still, I think if you have a couple thousand dollars or more tied up in Leica film equipment and you don't intend to buy an M8.x, spending $1500 or so on an excellent film scanner is perhaps a decently smart investment in film technology. Or move to NYC where film lives.
gdi
Veteran
unfortunately it comes down to simple economics in the name of EPSON- Epson's v750 scanner can make scans compariable to the Nikon 9000 and costs only about half as much. Som might argue the 9000 is better but most would say only marginal better. and not 600-800.00 better. Michael
If only that were true I don't think there would be so much angst about Nikon abandoning the market. But unfortunately, the Epson's simply aren't in the same league as the Coolscans - if you want the quality of the 5000/9000 you have to bite the bullet and ante up.
fbf
Well-known
If the 9000ED is really gone, then that's a pretty serious blow to anyone still shooting film. Who can afford an Imacon these days? Hasselblad/Imacon discontinued the base model (about $4000). The most affordable model is now around $6000-8000.
Ouch.
Apparent you haven't searched the imacon on ebay. The used flextight I and II are both under 2000$ range and sometimes much less (saw one complete 343 package sold for 750$ on ebay not long ago).
I wouldn't buy the 9000ed new if I am in market for a scanner. the used 8000ed is just as good and is much cheaper.
wintoid
Back to film
I wish they worked with Vuescan under Linux, but they don't, so that's a deal-killer for me.
Ulp! I thought everything worked with Vuescan under Linux. What's the problem with the Plustek Bill?
Also, what about those slide copier type devices that let you photograph your negatives with a DSLR. Why are these not used more? Are they inherently poor quality, or is it just that noone has done it well yet? (e.g. really even light source).
bmattock
Veteran
Ulp! I thought everything worked with Vuescan under Linux. What's the problem with the Plustek Bill?
No, there are a few that are obstinate. Even my own Epson 4490, works with vuescan if your version of Linux is not 64-bit (mine is) and you have to download and install a custom driver from 'Avaya' (epkowa driver). I have since set up my home webcam/web/email/etc server to be my scanning platform, which is fine, not 64-bit.
The Plusteks apparently only work under Windows with Vuescan:
http://www.hamrick.com/vuescan/vuescan.htm#plustek
Plustek
These scanners are supported only on Windows, and you first need to install the Plustek software before running VueScan.
* OpticFilm 7200
* OpticFilm 7200i
* OpticPro ST24
* OpticPro ST28
* OpticPro ST48
Also, what about those slide copier type devices that let you photograph your negatives with a DSLR. Why are these not used more? Are they inherently poor quality, or is it just that noone has done it well yet? (e.g. really even light source).
I haven't used one yet, but my gut feeling is that they're just not that good. Consider that a 'scanner' is moving a sensor over the film in rather close proximity to it, I think of that like a contact print. Then the new 'take a photo of the negative' device attachments, which place the sensor some distance from the film, and pass it through at least one set of lenses along the way - that seems more like optical enlargement. Which is sharper, a contact print or an optical enlargement? Perhaps a bad analogy, but that's how it seems to my way of thinking. I am prepared to be corrected by someone with some really cracking shots reproduced using the adapter.
Harry Lime
Practitioner
I wouldn't be surprised if Nikon Discontinued its scanner line altogether. which is sad, but unfortunately it comes down to simple economics in the name of EPSON- Epson's v750 scanner can make scans compariable to the Nikon 9000 and costs only about half as much. Som might argue the 9000 is better but most would say only marginal better. and not 600-800.00 better. And epson keep on coming out with new models of their scanners everyl
I would really have to see a side by side comparison, because I find that difficult to believe. The 9000ED is as good as the Imacon 343. I can't see how the v750 can compete in terms of resolution or dynamic range.
Harry Lime
Practitioner
Apparent you haven't searched the imacon on ebay. The used flextight I and II are both under 2000$ range and sometimes much less (saw one complete 343 package sold for 750$ on ebay not long ago).
I wouldn't buy the 9000ed new if I am in market for a scanner. the used 8000ed is just as good and is much cheaper.
New, not used. Everything is cheaper used.
Well, almost.
And the 8000 is not as good as the 9000. The 8000 is very slow and may show banding due to internal electronic noise. But the main problem is that it is very slow.
Pickett Wilson
Veteran
I guess it's what you ultimately plan to do with the images, whether a Nikon 9000ED is worth the extra money. Absolutes get bandied about a lot on the web.
I have a friend that is routinely published in flower and garden magazines (has been for 30 years) and she scans all her slides with an Epson 4490. These are run 1/2 and full page routinely in the magazines, and look great. Magazines never ask what scanner was used, as long as the files match their guidelines.
I'm not sure the differences between the low end and high end are that great in the real world.
I have a friend that is routinely published in flower and garden magazines (has been for 30 years) and she scans all her slides with an Epson 4490. These are run 1/2 and full page routinely in the magazines, and look great. Magazines never ask what scanner was used, as long as the files match their guidelines.
I'm not sure the differences between the low end and high end are that great in the real world.
clayne
shoot film or die
No need to quibble. K20D @ 1600iso B&W produces a long tonal scale, very little noise (does look like modest TriX grain @800). This is far better than *istDS, though that's a fine tool as well.
So 30 years later you find digital to offer 95% of the quality of film? You do look at photographs right?
Share:
-
This site uses cookies to help personalise content, tailor your experience and to keep you logged in if you register.
By continuing to use this site, you are consenting to our use of cookies.