De_Corday
Eternal Student
My D700 is a beast. It's a true work camera. I've been running mine all week down in the Louisiana flood zone, and I have never once wanted for "more camera."
I have occasionally been tempted to go for a D3s or a D4 for better high ISO performance and quicker autofocus. but honestly the D700 is still so good in those departments that I've always convinced myself to put the money into glass (or a film camera) instead. I also came to the D700 from a D200, so the identical control layout was a plus.
I just shot night work in the bayou by pickup-truck headlight two nights ago. The 700 holds well through 3200 ISO, and for PJ work with some minor post-production color correction and de-noising, I can get totally solid files at 6400.
It is heavy, but that's a plus in my book. It is ridiculously reliable. Its battery life is excellent. If Nikon made a newer pro-level body with the same control layout and a D4 or D5 sensor I'd be all over it. But honestly the D700 is still king for PJ and documentary work in a compact package.
FWIW, I bought my 700 off of a good friend who does landscape work. He had opted for the 800E. He loved the 800's bigger file size, and the DR, but said the 700 had better low-light performance in his experience.
I have occasionally been tempted to go for a D3s or a D4 for better high ISO performance and quicker autofocus. but honestly the D700 is still so good in those departments that I've always convinced myself to put the money into glass (or a film camera) instead. I also came to the D700 from a D200, so the identical control layout was a plus.
I just shot night work in the bayou by pickup-truck headlight two nights ago. The 700 holds well through 3200 ISO, and for PJ work with some minor post-production color correction and de-noising, I can get totally solid files at 6400.
It is heavy, but that's a plus in my book. It is ridiculously reliable. Its battery life is excellent. If Nikon made a newer pro-level body with the same control layout and a D4 or D5 sensor I'd be all over it. But honestly the D700 is still king for PJ and documentary work in a compact package.
FWIW, I bought my 700 off of a good friend who does landscape work. He had opted for the 800E. He loved the 800's bigger file size, and the DR, but said the 700 had better low-light performance in his experience.