Pinphot
Established
I've had the X100 for a little over two weeks. In that time, I've shot around 6 editorial jobs with the camera, and so far, had 3 pics from the X100 used in 3 UK broadsheets.
On the whole, I am really happy with it, but there are a few quirks which I hope will be fixed in firmware updates.
I've been onto the technical department at Fuji UK, who have been incredibly responsive and really seem keen to take notice of user feedback, so hopefully some of the issues I have raised will be fixed in firmware.
Firstly, the camera needs fast memory cards. the buffer implementation is more akin to a point and shoot than a comparably priced DSLR for example, (which has been documented here a little bit). in that the camera won't allow for the reviewing of images or menu access until the buffer has fully written to the card. Allied to this is the rather clunky implementation of the burst shooting mode, which locks up the camera until the card has again been written too.
My next problem has been with the implementation of the AF lock on the shutter release. The camera will not hold AF after an exposure if the shutter is held down, meaning the release finger has to be released and AF reacquired otherwise the camera will focus on the background if the subject is off centre. This quirk prevents the shooting of short bursts and introduces quite a bit of lag whilst the camera reacquires AF. You can get around this by using the AF button to focus in MF shooting mode, but this introduces it's own set of quirks, the main one being that the camera does not adjust the framelines for parallax until the shutter button is pressed and does not then hold the parallax correction after the exposure. On the issue of framelines, I'd prefer it if the camera would maintain the framelines view in the finder, (and parralax correction), after exposure, rather than them disappearing until the card is written, as happens at the moment.I have a feeling this is an oversight, and will hopefully be one of the first things they fix in firmware.
The next quirk is the camera not applying universal ASA settings over all shooting modes, meaning that if I have 400ASA set in M for example, and I then shift to another mode ie P or Av, the camera reverts to the ASA setting last set in that mode, which is not neccesarily the same.
The AWB appears to work well on the whole, but I've never been particularly happy using AWB and prefer to use the presets. In a previous post, I've complained about the camera tending towards the blue/cyan in the daylight preset, which I've found hard to fix in post. Having looked at other Fuji files on Flick'r and other places from other Fuji cameras, it appears that this is the 'Fuji colour', which I'm not particularly happy with. Applying +3, (red), in the r/cy and -1, (more yellow), in the b/y WB shift menu option appears to give a much more neutral and pleasing, (to my eye and calibrated workflow), and is close enough to my Canon 5D2 files to allow the submission of files from both cameras to clients without colour matching issues.
I sometimes find the AF a bit hitty missy, in that the camera will occasionally be unreliable, even in fairly benign circumstances, rather strangely not correctly focusing on objects at infinity, (or near infinity), but DOF at those distances is usually enough to compensate. A good tip when using the OVF at closer distances, is to sometimes offset the camera slightly to the left and up a bit to compensate for the parallax between where the AF spot is in the viewfinder and where the camera is actually taking AF from through the lens. This feels a little bit like the slight reframing shift I used to do instinctively when I had an old Leica IIIa many years ago.
Regarding shooting menu parameters, I have everything set pretty much to low-colour, sharpness etc as this seems to give the most post production friendly files, rather than the sometimes slightly garish results at default settings, although this is strictly my personal preference. Rather oddly, the Provia/standard setting appears to give slightly softer more muted result than the Astia setting??
As I said above, I'm really getting to like the camera, and am learning to live with it's little foibles, (as I did with my old Contax G2's in my analogue days), and as such, am posting my observations in good faith, and as a pointer to issues I think users should be aware of rather than in any attempt to court controversy or flaming
Cheers,
Mark
On the whole, I am really happy with it, but there are a few quirks which I hope will be fixed in firmware updates.
I've been onto the technical department at Fuji UK, who have been incredibly responsive and really seem keen to take notice of user feedback, so hopefully some of the issues I have raised will be fixed in firmware.
Firstly, the camera needs fast memory cards. the buffer implementation is more akin to a point and shoot than a comparably priced DSLR for example, (which has been documented here a little bit). in that the camera won't allow for the reviewing of images or menu access until the buffer has fully written to the card. Allied to this is the rather clunky implementation of the burst shooting mode, which locks up the camera until the card has again been written too.
My next problem has been with the implementation of the AF lock on the shutter release. The camera will not hold AF after an exposure if the shutter is held down, meaning the release finger has to be released and AF reacquired otherwise the camera will focus on the background if the subject is off centre. This quirk prevents the shooting of short bursts and introduces quite a bit of lag whilst the camera reacquires AF. You can get around this by using the AF button to focus in MF shooting mode, but this introduces it's own set of quirks, the main one being that the camera does not adjust the framelines for parallax until the shutter button is pressed and does not then hold the parallax correction after the exposure. On the issue of framelines, I'd prefer it if the camera would maintain the framelines view in the finder, (and parralax correction), after exposure, rather than them disappearing until the card is written, as happens at the moment.I have a feeling this is an oversight, and will hopefully be one of the first things they fix in firmware.
The next quirk is the camera not applying universal ASA settings over all shooting modes, meaning that if I have 400ASA set in M for example, and I then shift to another mode ie P or Av, the camera reverts to the ASA setting last set in that mode, which is not neccesarily the same.
The AWB appears to work well on the whole, but I've never been particularly happy using AWB and prefer to use the presets. In a previous post, I've complained about the camera tending towards the blue/cyan in the daylight preset, which I've found hard to fix in post. Having looked at other Fuji files on Flick'r and other places from other Fuji cameras, it appears that this is the 'Fuji colour', which I'm not particularly happy with. Applying +3, (red), in the r/cy and -1, (more yellow), in the b/y WB shift menu option appears to give a much more neutral and pleasing, (to my eye and calibrated workflow), and is close enough to my Canon 5D2 files to allow the submission of files from both cameras to clients without colour matching issues.
I sometimes find the AF a bit hitty missy, in that the camera will occasionally be unreliable, even in fairly benign circumstances, rather strangely not correctly focusing on objects at infinity, (or near infinity), but DOF at those distances is usually enough to compensate. A good tip when using the OVF at closer distances, is to sometimes offset the camera slightly to the left and up a bit to compensate for the parallax between where the AF spot is in the viewfinder and where the camera is actually taking AF from through the lens. This feels a little bit like the slight reframing shift I used to do instinctively when I had an old Leica IIIa many years ago.
Regarding shooting menu parameters, I have everything set pretty much to low-colour, sharpness etc as this seems to give the most post production friendly files, rather than the sometimes slightly garish results at default settings, although this is strictly my personal preference. Rather oddly, the Provia/standard setting appears to give slightly softer more muted result than the Astia setting??
As I said above, I'm really getting to like the camera, and am learning to live with it's little foibles, (as I did with my old Contax G2's in my analogue days), and as such, am posting my observations in good faith, and as a pointer to issues I think users should be aware of rather than in any attempt to court controversy or flaming
Cheers,
Mark