cnphoto
Well-known
Just scanned my first roll, loving it! Neopan 1600 in Rodinal 1:50
even at 1/8th second.






even at 1/8th second.

How many pano frames can one get from a regular roll of 36 negatives? I saw an nice xpan on sale at a local store but the price is pretty too.
Some of those are nice; yet, I sometimes think people shoot panoramic the way they would 35mm, except for a lot of unnecessary "stuff" on the right and left.
martin
Parkes Owen said:Neopan 1600 is my favourite B&W film for the xpan
emraphoto said:hasselrad, love that. bleeding through also happens to be in heavy rotation on my end these days!
I have a well used Xpan Mk I on the way to try some new perspectives on a current project. I'm really excited and figured if it does not work out well for me I can always sell it for what I bought it for. I will only ever use the 45mm to keep things simple and me fluid and really think it will work out well. Seeing shots here is like a trailer for how much fun I think it will be. I never had an interest when I as shooting mainly landscapes, but perversely, it now appeals immensely for documentary work!
Here's my theory on composition: Some people think a lot about composition and others are more instinctive/intuitive using the format itself as a visual took to work to a composition. That you had no issue transitioning suggests you are more intuitive and just 'worked the camera' until you got something you found worked in the VF. It does seem that Xpan compositions that allow you to read the frame from side to side work well.
I hope I find it equally easy to work with the format too. Should be here in a week!
I have a well used Xpan Mk I on the way to try some new perspectives on a current project. I'm really excited and figured if it does not work out well for me I can always sell it for what I bought it for. I will only ever use the 45mm to keep things simple and me fluid and really think it will work out well. Seeing shots here is like a trailer for how much fun I think it will be. I never had an interest when I as shooting mainly landscapes, but perversely, it now appeals immensely for documentary work!
Here's my theory on composition: Some people think a lot about composition and others are more instinctive/intuitive using the format itself as a visual took to work to a composition. That you had no issue transitioning suggests you are more intuitive and just 'worked the camera' until you got something you found worked in the VF. It does seem that Xpan compositions that allow you to read the frame from side to side work well.
I hope I find it equally easy to work with the format too. Should be here in a week!