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I recently tried to shoot a local fashion contest thing with my GSN...
It should be warned that.
1. If you are in a room that has extremely white modern lighting you will get almost no ghost image to line up because of the natural yellow tint to it (halogens provide a lot of what you need).
2. You get even less of a ghost if you turn the camera vertical. If you play around you can improve it a little by placing your eye correctly but still get very little.
Solutions?:
Cut the glass off that is in front of the magnification glass piece. Then apply the black dot trick. I even bought special pens that you can apply black with to glass or remove it with the other solvent.
Anyone got any thoughts?
Too much effort for a GSN?
Whatever, Leica quality lens for $50. Until I go into the magical thrift store with an M2/3/4 and a misplaced $250 for a CLA in the pocket of the camera bag, the GSN is all I can rock. I love the speed of the shutter, how quiet it is, and how I can pretty fearlessly fire at 1/30th which means I can use almost any F stop I want whenever I want.
There is a fair chance I get a flash bracket w/release and mount the camera vertical, and slap a Vivitar 283 on top of the flash bracket w/release.
It should be warned that.
1. If you are in a room that has extremely white modern lighting you will get almost no ghost image to line up because of the natural yellow tint to it (halogens provide a lot of what you need).
2. You get even less of a ghost if you turn the camera vertical. If you play around you can improve it a little by placing your eye correctly but still get very little.
Solutions?:
Cut the glass off that is in front of the magnification glass piece. Then apply the black dot trick. I even bought special pens that you can apply black with to glass or remove it with the other solvent.
Anyone got any thoughts?
Too much effort for a GSN?
Whatever, Leica quality lens for $50. Until I go into the magical thrift store with an M2/3/4 and a misplaced $250 for a CLA in the pocket of the camera bag, the GSN is all I can rock. I love the speed of the shutter, how quiet it is, and how I can pretty fearlessly fire at 1/30th which means I can use almost any F stop I want whenever I want.
There is a fair chance I get a flash bracket w/release and mount the camera vertical, and slap a Vivitar 283 on top of the flash bracket w/release.
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