Jon Claremont said:
Did the camera come from Lomo? And where was it shipped from? Outside EU can be tricky because of customs duty. I thought they were each EUR600 do why is somebody asking EUR800?
But most of all: is this a great camera?
I don't know all the details, but I believe that the cameras were hand-made by Yasuhara-san in Japan (he may have had some built in China, I'm unclear on that). I suspect that Lomo ended up with them after Yasuhara-san's company went bankrupt. No idea where they are actually located now.
Why would people ask different prices for the same camera? Because they're pretty rare - only a few thousand were ever built, as I understand it. So no one knows what 'the market will bear' in terms of price, and they're experimenting to find out what people will pay.
Is it a 'great' camera?
Like many things, that all depends.
I understand it has its defects and detractors. Among them, an SLR-style Copal Square shutter that can leak light if the lens cap is not kept on when the camera is not in use. The usual flaws evident when something is hand-built by a one-man company, regardless of how stringent that person's quality-control standards might be.
Great? It depends on your understanding of great. I think it meets that standard and more from the historic 'David versus Goliath' point of view - a one-man company that stood for several years against the odds and produced a TTL-metered rangefinder camera in a day when pretty much only Leicaphiles were interested in RF's, and then only in their beloved Leicas.
From a 'is this a great camera' point of view? Maybe not so much.
It really depends on what you want - a living piece of history that can take LTM lenses and be used to make great photos (which I believe it is) - or a true competitor to Leica for 600 euros (which it ain't).
My general observation - if you haven't taken the time to research the camera, the company, the man behind it, and / or you don't appreciate Yasuhara-san's contribution to history, then you won't like this camera and you'll think you got ripped off.
As I perceive it, the value this camera offers is neither as a wall-hanger nor as a true shootin' iron, but as a roadmark showing us how we got where we are, on the cusp of significance in a bubble trapped in an emerging digital world of photography. It is more important for what it represents than for what it can do, but it can also do.
I mean no disrespect, but in short - if you don't know why this camera is important, then you probably shouldn't buy one.
I don't have one, but only because I can't afford it. I wish I could.
Best Regards,
Bill Mattocks