sitemistic said:
Sparrow, the world is a more complicated place and the decisions we make within the news media far more complex.
... Great art, terrible news photo.
With respect, I totally disagree with this comment. It is not art -- it is a news photo -- and it is in my judgment a great news photo. It is beautiful and terrible.
You said that you chose not to run it, or were advised not to run it. Because, I presume, it would be upsetting to readers. I saw a documentary about that, in which newspapers that did run the photo prominently were pilloried by their readers. Well, so what? If newspapers are afraid to show the truth, then we might as well not have newspapers. I say this as a former newspaper reporter and editor. The same readers also were upset about the Abu Ghraib photos and, by the way, by the Vietnam War photos. And by the publishing of the Pentagon Papers, and on and on.
You also claim this photo is sensationalist. But then talk about having to shoot car accidents and the like for your local paper. Well, perhaps the falling man photo, like the photo of the dying priest being carried by the firefighters, is not sensationalist because the personal tragedy it depicts encapsulates and is part of a greater and vastly significant tragedy. We humans relate better to the plight of the individual than to dry statistics of thousands dead or injured or napalmed. That's why we remember striking photos of individual victims. Whereas the local news in a lot of places focuses on fire, weather, car accidents, murders, and celebrity and sports news. I submit that some consider that sensationalist.
I'm not questioning how you do your job -- believe me I understand the pressures of working for a newspaper, and I understand why you are satisfied with your paper's judgment not to run the falling man photo. But I think the issue of whether a photo is important or iconic is larger than that. Whether it "will play in Peoria" has never been the standard for greatness, just for commercial success.