KoNickon
Nick Merritt
I think more than one person mentioned the K1000 as being overpriced for what it provides, certainly compared to the similar but better spec'd KM.
Overpriced?? Any camera posted on Ebay. Full stop!!
I've just had a good look at Ebay Australia, in their cameras and other photographic sections, for the first time in ages. Now I need a stiff drink...
(But I did note the sometimes great differences between asking the sellers' auction/buy it now prices and the finished sales.)
An interesting aside, I looked at completed ebay auctions and found what appears to be the same Canon 35/1.5 lens from France or Italy at least 10 times in completed auctions over the past month (for a silly low price). When you click on them you get taken to an error page that the 'auction can't be found'. Clearly it is the same lens being sold over and over (or rather, the same *picture* of the lens being used over and over).
I am amazed Ebay allowed such a scam to happen that many times before putting a stop to it. But the old adage holds true, if it seems to good to be true...
filedata/fetch?id=4787765&d=1654297101 filedata/fetch?id=4787766&d=1654297102
...And, drumroll please, here's a genuine completed auction:
I shop at eBay, internationally, and i've noticed australian sellers tend to ask too much, in general.
In post # 7 I mentioned the Topcon Super D and Konica Autoreflex. I think these are bargain cameras today - although the Super D is perhaps sought after as a cult camera, maybe.Too lazy to read all 78 post but I can't see a mention of the Topcon SLR's, the Konica SLR's …
Topcon Super Ds haven't been a "bargain" for twenty years or more. Overlooked? Maybe. Undervalued? I think an argument could be made for them being remarkably overvalued. Although this is mostly the fault of the lenses, which have been ludicrously overhyped online for years now. ...
I actually don't think $900-$1500 is overpriced for a Canon 35mm F1.5 LTM. This is a rather uncommon lens and as far as I know the fastest LTM lens ever made at that focal length. I do think $11,999 is a little out of line!
I'd rather have a Nikon FE or FM, than any K-1000 or AE-1. Usually cheaper and far superior. And you can also use your old non AI lenses on one. Modern spiritual successor to the excellent Nikomat/Nikkormats. Nikon mechanical advantage: They are very Cerebral Palsy resistant when photographer trips over his own feet sometimes. Not to mention winds up becoming an improv amateur stunt man! The Nikon FM/FE/Nikkormat line are tanks. I am living proof of how durable the manual and mechanical models are. I like mine pre-brassed up before I get them.Hmmmm, I'd say the single most undervalued film camera might be the Nikon FE. All-metal, quality construction; great and accurate match-needle metering system; aperture priority mode with exposure lock; takes most lenses (including non-AI) that Nikon ever produced; can take a motor drive; swappable focusing screens (I pimped mine out with a later, brighter FM3a screen); small but not excessively so form factor; two LR44 batteries last practically forever with them. And because they're older than the FE2 and lack a few features of that camera, they're viewed as being "less capable," which they only barely are.
A nice FE will hit you for around a hundred bucks--often less--which is a screaming bargain for such a well-built, capable film camera. Whenever students go enquiring about a film camera and start talking about K1000s or A-1s or whatever, I'm like forget those things, get an FE: it'll be cheaper (than a K1000, given their inflated prices; and than an A-1 if you decide to fork out to get the squealing shutter properly repaired), take a huge range of great lenses, you can shoot it in full manual, *but* it will also have a bit of automation. A no-brainer, really.
I keep a pair of FEs, one in chrome and one in black; they're great toss in a bag and carry around all day cameras. And I call them my "riot cameras"--if I'm ever going to shoot something where I want the best images I can get, but there's a chance the camera will get lost/destroyed in the process, they'd be easily and cheaply replaced.
I mean, with the benefit of hindsight, the original Tri-Elmars were not particularly great lenses speed or performance-wise, but just versatile in a way that professional zoom lenses can be. I think that Konica's 21-35 idea was much better. You are probably right, though, about popularity. Most Leica M shooters seem to be attached to their fast fixed 35mm or 50mm lenses and the three focal lengths in one would probably appeal to someone who wants to play with wide angles but not commit to a particular focal length. I think using lenses that wide on an RF is kind of silly without liveview, as even the Frankenfinder has fairly inaccurate framing and does not communicate the true visual distortion these lenses create in the captured image.I wish Leica would've made a Tri-Elmar in 35-50-90 or 28-50-90 instead of the short focal lengths they chose. Untapped potential? They probably thought about it and decided the wider angles for the lens would be more popular.