petronius
Veteran
Thanks! Was quite expensive too;-)
Very cool, ray!
Guess what showed up in the mail today? ...
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“Eighteen Exposures to Eternity"
Fresh, new Polaroid-compatible pack film from SuperSense: 18 photographs and a camera to use them in. Each pack has ONE shot in it.
I've been waiting a long time to see this. 🙂
G
So much of our photography (and our lives in general!) is influenced by those sneaky messages about what we can't/shouldn't do. Usual those messages are complete BS. But in your case, you recognized your error, and learned from it. That's the important lesson!In the 70's, '80's, 90's, if I had not dismissed Polaroid cameras and Polaroid film as being an inferior, almost toy-like product, I would have discovered how wonderful pack film was and even would have respected SX-70 and 600 film.
Sadly, I discovered all of this just as Polaroid was disappearing. I discovered pack film just after Fuji stopped production.
This is the penalty I pay for a closed mind.
very neat....did not know you could transfer emulsion from SX-70. I used to do transfers to art paper 8x10 polaroids. It was very therapeutic as I added color pencils to the images.
Fuji Instax Wide photo of the recent annular eclipse (October 2023). The “camera” was a pinhole telephoto setup built from a 12 foot cardboard shipping tube and a 0.8mm pinhole attached to the front of a Nikon N8008 camera body. The camera back was removed from the Nikon and the body gaffer-taped to the front end of the tube, thus serving as a shutter.
The film back was 3D-printed to adapt to the 4” diameter tube with a 4x5 Graflok back flange. A Lomograflok back for Fujifilm Instax Wide was used to make the exposures.
My friend Ethan Moses, who runs Cameradactyl Cameras, 3D printed the back and adapted the Nikon camera body.
The effective focal ratio of the device is around F/4500. Exposure times were 1/8000 second using the Nikon‘s shutter.
To make it work, Ethan would be up on the roof controlling the camera. He’d open the camera to bulb, I’d insert the 3D-printed viewing screen and line up the tube, then swap out the Lomo Instax back. Then Ethan would set the Nikon to the right shutter speed and signal me, I’d pull the dark slide and he’d trip the Nikon‘s shutter, then I’d insert the dark slide and push the eject button on the back.
During the height of totality we kept the dark slide out and did a series of exposures one after another, to capture the event in more detail.
Here‘s a video about the event:
heh. if i can even pick up a camera in my present state of disrepair, i'll see what i can participate with. 😉Fall RoidWeek 2023 starts next week over at Flickr. Always a fun time 🙂