peterm1
Veteran
Wrong link - deleted.
I must say I have had similar experiences with different cameras. For example, I always much preferred the authoritative sound and feel of the Nikon D700s shutter over that of the d200 which preceded it. The latter had a kind of "lazy" clack-clack operation which sounded as if it was almost in slo-mo, while the former was much more business-like somehow.I love the shutter feel and sound of my IIIc and M7. The OM1 is also pretty good, but not as satisfying as the Leicas. The Topcon RE Super is at the other end of the spectrum! 😂
But probably still in the visible part of it. The Zenit-E on the other hand...... The Topcon RE Super is at the other end of the spectrum! 😂
After owning an M3 and an M4P two of the biggest disappointments with the M8 when I bought it were the unsophisticated sound of its shutter when actuated and the teeny, tiny viewfinder magnification. I thought I could get used to these but really never did. It was the viewfinder issue that caused me to sell it in the end as my eyes grew older, but the shutter sound still annoyed me. Imagine buying a Mercedes car and finding its exhaust sounded like a 1950s Volkswagen. It was that kind of "cringe" feeling (even if no one else noticed.)I always liked the feel and sound of the Leica M3, M2 and M4 shutters, especially when fitted with one of Tom A's mini-softies. My M6 TTL doesn't feel/sound the same, and that's a shame.
The one camera that I've had for over thirty years, and rarely get's used, is a Nikon FM-2N, and the sole reason is I can't stand the sound and feel of that shutter. It clacks and clunks like a cheap camera that's about to die. Works perfectly, spot on shutter accuracy, FFD is perfect, but it just sounds and feels like crap to use. So yeah, I agree with the guy in the video. It's not just things need to work, they need to feel and sound good too, for consumers to desire them.
Best,
-Tim
For me, image quality is taken as a "given" or a "must have". Without it you have nothing, but one assumes that up to a point, all contemporary cameras contribute good image quality (though this changes over time arguably - at least till the technology is fully matured). And different people will have differing views as to what they regard as image good or great quality. There are a few exceptions to this I think - Fujifilm's different sensors and innate color science for example puts it in a class of its own as it offers quite special image quality for those who appreciate its kind of magic.We can appreciate quality in different ways but touch, sight and sound get our attention with cameras. Smell and taste with food. Many folks have mentioned shutter sounds as important. And viewfinder image, too. Did anyone mention image quality?
That's what drives me, image quality. I put up with Pixii's quirks and orneriness for good images. It does do that. And an M9 or M240 with a good retro or a good Sonnar will always make me happy. So while I surely do enjoy the fine machinery that Leica offers it is for the sensor. The lens does not have to be Leica. The only one I have is a disappointment. So clicks and peeks are important but to me it is the sensor that is most important.
For me, image quality is taken as a "given" or a "must have". Without it you have nothing, but one assumes that up to a point, all contemporary cameras contribute good image quality (though this changes over time arguably - at least till the technology is fully matured). And different people will have differing views as to what they regard as image good or great quality. There are a few exceptions to this I think - Fujifilm's different sensors and innate color science for example puts it in a class of its own as it offers quite special image quality for those who appreciate its kind of magic.
(Unlike you I do believe that for the most part lenses do contribute more than does the camera.)
But my point is more that this thread was more about the things that add the cherry on the cake - image quality IS the cake.
What's the old saying?I think we pretty much agree, but I am unsure whether the lens or sensor is more important. I like very much my M9 and M240 and see improvements in them with different lenses. Very much so to us, not so much to regular folks, folks not camera geeks. Sensors, the M9 has nice solid, saturated color, the M240 is more subtle. The X2D just runs away from the pack in my estimation. The X2D - XCD 55V dance team is an exquisite duet, both graceful and powerful.
Sensors, the X2D and the Fuji GFX 100S are reputed to both run the same Sony sensor. In all my viewing of YT videos and of posted images the X2D has the better color science. So there is that additional dimension, color science. Folks who know tell me that the M9 color science is such that it could/can be improved. But it is a "mature product" which is corporate for, "We don't care anymore."
The M8 itself, which you have, has a noble color palette. I like it and how it sees things. And some lenses bless it more than others. So maybe it is like a three-legged stool: lens, sensor, color science.
Otherwise it is pistols at dawn! 🤣
... Making laptops, phones etc out of a block of metal when their lifespan is under ten years and less due to software and ever changing systems requirements. Even the packaging is first class with tolerance literally so tight you can feel air pressure keeping the lid down when you try to open that box with your AirPods. Apple absolutely has changed expectations when comes to product presentation.