ferider
Veteran
It is correct for well corrected lenses; say for instance you compare a 35/2 ASPH and 28/2 ASPH Summicron: you will be hard pressed to find any difference between 35 and cropped 28 picture. Of course, if one lens has more distortion than the other, there might be more difference.
As long as your camera location is the same, the difference is only the angle of view. I can look for text book references if you need.
Best,
Roland.
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ferider
Veteran
Here is what a people shot would look like, at f2 and about a meter distance.
rondo
Established
This is an interesting point. I guess it makes sense to do the comparison with high-end optics, not crappy zoom digicams. Barrel distortion and perspective are two different things.
[/QUOTE] I can look for text book references if you need.[/QUOTE]
Only if you have time, or a link to a website would do. I looked up a bit before posting here, but couldn't find anything.
Thanks again.
rondo
Established
Roland, Wow, did you actually take two pictures here, or just cropped a 28?
edit: looking closely, you just cropped it, I think...
edit: looking closely, you just cropped it, I think...
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rondo
Established
Another way of putting what you said:
A 35 mm with m8, will give exactly same results as 50 mm (52 to be exact) with m9.
I assume that has been the experience of those who used both...The angle of view will be the same for sure, and no other optical difference?
A 35 mm with m8, will give exactly same results as 50 mm (52 to be exact) with m9.
I assume that has been the experience of those who used both...The angle of view will be the same for sure, and no other optical difference?
ferider
Veteran
At the same camera distance - yes.
My photos above are 28mm photos that I cropped for you.
There are lots of references: http://www.luminous-landscape.com/tutorials/focal_lengths.shtml, for example, or for a good text-book, "The Ansel Adams Guide, Book 1, by John P. Schaefer, Chapter 3 - Lenses and Accessories". Maybe Roger can chime in with another on-line reference.
Roland.
My photos above are 28mm photos that I cropped for you.
There are lots of references: http://www.luminous-landscape.com/tutorials/focal_lengths.shtml, for example, or for a good text-book, "The Ansel Adams Guide, Book 1, by John P. Schaefer, Chapter 3 - Lenses and Accessories". Maybe Roger can chime in with another on-line reference.
Roland.
rondo
Established
Roland, All this psychological difference mumbo-jumbo goes to trash, if this is indeed the case. I am ready to take your word on that. I think you made a good point by differentiating good lenses from bad ones, i think that's the major difference here. And as the lenses get wider optical imperfections are more common.
I learned something from this thread. Thanks...In the future if I have access to both lenses I will try to "satisfy my curiosity" as someone above has put it...Rest assured, I will come and share here my own findings, in case someone else is curious...1500 views on this thread makes me think that it wasn't exactly selfish to ask the question.
Thanks for the links.
I learned something from this thread. Thanks...In the future if I have access to both lenses I will try to "satisfy my curiosity" as someone above has put it...Rest assured, I will come and share here my own findings, in case someone else is curious...1500 views on this thread makes me think that it wasn't exactly selfish to ask the question.
Thanks for the links.
FrankS
Registered User
When taken from the same camera position, Roland's photo of the girl shows the difference in the field of view of the 2 lenses.
To more completely see the difference in the 2 focal lengths, one needs to do something else: change camera position when changing from one focal length to the other, so that a foreground element is the same size in both photos. That way one can see the difference in perspective of these 2 focal lengths. IMO, this is the most important difference between the 2 focal lengths. One can not see this by simply cropping a 28mm photo to a 35mm field of view. The 28mm lens will show more airy-ness and give the impression of a bigger space between foreground and background elements.
This isn't psychological mumbo jumbo, but it is a little more complex and difficult for some to understand than the simple cropping exercise that demonstrates only the difference in field of view and not the perspective rendering differences of 2 focal lengths.
To more completely see the difference in the 2 focal lengths, one needs to do something else: change camera position when changing from one focal length to the other, so that a foreground element is the same size in both photos. That way one can see the difference in perspective of these 2 focal lengths. IMO, this is the most important difference between the 2 focal lengths. One can not see this by simply cropping a 28mm photo to a 35mm field of view. The 28mm lens will show more airy-ness and give the impression of a bigger space between foreground and background elements.
This isn't psychological mumbo jumbo, but it is a little more complex and difficult for some to understand than the simple cropping exercise that demonstrates only the difference in field of view and not the perspective rendering differences of 2 focal lengths.
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ferider
Veteran
No problem, Rondo. For well corrected RF lenses, there really are only the following practical differences:
1) Compared to 35, you cann't get as "close" with a 28. On Leica, typically, 0.7m for both.
2) Compared to 28, you cann't get as "wide" with a 35. Important in-doors, with your back against a wall and for infinity landscapes.
3) Speed/Size: my fastest 35 is f1.4. An LTM/M-mount 28/1.4 does not exist. On the other hand, my 28/1.9 is much bigger than my 35/1.4.
And rest assured, more mumbo jumbo will be added to this thread
Cheers,
Roland.
1) Compared to 35, you cann't get as "close" with a 28. On Leica, typically, 0.7m for both.
2) Compared to 28, you cann't get as "wide" with a 35. Important in-doors, with your back against a wall and for infinity landscapes.
3) Speed/Size: my fastest 35 is f1.4. An LTM/M-mount 28/1.4 does not exist. On the other hand, my 28/1.9 is much bigger than my 35/1.4.
And rest assured, more mumbo jumbo will be added to this thread
Cheers,
Roland.
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semilog
curmudgeonly optimist
Absolutely.
Although many here emphasize that learning photography is easier with prime lenses, this is a case where a digital camera with a standard zoom lens is really vastly superior as a learning tool. Rent or borrow a DSLR with a "kit" zoom, and do as Frank suggests on a variety of subjects with a moderate aperture (say, f/5.6), so that enough background is resolved to see how things change as you change FL and move the camera back and forth. A digital camera is preferred for this exercise because you get instant feedback, and because each capture is marked with EXIF data — so that when you go back and look at these reference photos later, there will be no question about what FL and camera settings were used.
Be systematic. Study the results. Go out and take some pictures with the camera's zoom ring taped at 24, 28, 35, 40, 50mm equivalent. See what you like shooting with. See what produces the best results (you may find that these are not the same).
You'll know which prime(s) you want to shoot with soon enough.
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aizan
Veteran
ever seen "vertigo"? here's a clip with a bunch of dolly zooms. pay attention to the table in the scene from "goodfellas".
http://www.youtube.com/watch?v=Y48R6-iIYHs
changing the position of the camera is what changes the perspective. changing focal length merely changes angle of view, which in this case is used to keep the subject matter in the shot at the same magnification.
FrankS
Registered User
Yeah, that video is a very good demonstration of this. The camera position changes as the lens zooms to keep the foreground elements the same size. You can see the changes happening in the background rendering.
rondo
Established
Excellent example, and I think a good way to sum things up. I think almost everyone was saying the very same thing in different terms.
If I have to remind you my first post: I was questioning the accuracy of the nested rectangles to identify different focal lengths, with a stationary camera.
That system is absolutely accurate, as long as the camera is stationary the perspective remains exactly the same no matter which lens one uses.
Period. Of course you get more or less coverage of the scene, depending on the focal length, but the relationship of objects does not change based on the focal length used.-again with stationary camera.
If one aims to achieve the same area of coverage (i.e.composition) with different focal lengths, perspective will differ.
Thank you all, especially to Roland and Frank....
I think all is clear and everyone is happy.
Abbazz
6x9 and be there!
Thanks for the great video. Maybe this will make more people unsterstand the relationship between point of view, perspective and focal length, and we won't see anymore those stupid "zoom with your feet" recommendations.
Zooming connot be accomplished by getting closer or further away from the subject, as this would modify the perspective, which isn't the case with using a different focal length from the same point of view.
Cheers!
Abbazz
rondo
Established
They are not exactly stupid as long as they don't suggest it is the "same thing"
Lack of choices shouldn't stop you to think about what you can capture with a given equipment. Sometimes constrains lead to better results.