That is a very nice shot, Maggie. I especially like the smoothness of the out of focus areas. I only got my Ultron quite recently, and was shooting 400 speed film, and so had little chance to explore its wide open performance, but it looks like I have some good news coming.
I used to have an Ultron, however the barrel became loose so I sent it to Cosina for repairs. Within one week the barrel was loose again, so I gave up on the lens. However, I thought the rendering was superb and would still be using it if I could.
The 35mm Ultron f/1.7 that you are considering has a documented history of problems with the build: check it out. The Nokton, by contrast, is both compact and very well made: it feels solid.
Just developed my first two rolls shot with the 35/1.4 Nokton. I am a bit surprised at how contrasty it is (single coat); it's plenty sharp and has its own "signature" that's for sure. I think it renders textures well.
Ok the site won't upload my photos--nothing changes . . . Anyway here is a link to my photostream if you are interested in seeing the lens. The only shot there not taken with the Nokton is the wide angle of the fountain.
I agree with you Traveler, contrast is not flat at all, I would call it about "medium", but what I like is that the Nokton manages to retain shadow detail well, at least in my experience.
I used to have an Ultron, however the barrel became loose so I sent it to Cosina for repairs. Within one week the barrel was loose again, so I gave up on the lens. However, I thought the rendering was superb and would still be using it if I could.
Same thing happened to mine. However, instead of sending it to Cosina, I Googled the repair. Turns out it was a two hour job, and I had to buy a 000 Phillips head. A dab of enamel paint on the loose screws fixed it permanently.
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