Shot with Fuji GW690iii in Destin, Florida.[/QUOTE]
Makes one wonder why even bother with the GSW 65mm model... this one looks wide. I guess that's why I've purchased 3 of the 65mm models, shot a roll or two and sold them. I feel much better at 90mm and 100mm. Too much to compose in the 65mm lens.
When I do want a pano or wider vista, I simply scan two of the images from the 90 or 100 and stitch them into a wide image. Again, no need for the 65mm.
I haven't thought much about stitching scans. I do it at work with my D3s just about every week for something, but my film cameras are a getaway from work. I'm eying the idea of the Fuji G617(or whatever it's called). They tend to be a bit more pricey and probably out of budget, but I might set a goal to get one.
Levi:
Like! I liked your ability to find fun color in the mundane (rubbish skips, fire hydrants, &c.) -- helped on by the punchy coloration of Fuji films. I also liked your using the Pro Tire windows and the bridge trusses for framing.
I had to laugh (sophomorically) when, in your fourth picture, I momentarily read "FART SORCE" on the red store-front. The utility pole obscuring their sign covers just enough of the "P" to make it unclear whether it's a "P" or an "F", and I think the italic "FAX" jumping out of Sure's sign in the forefront had me thinking "FA..."
--Dave