A day out with the SL2-S

Archiver

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Following from my 'what are your weekend plans' post about freezing off my gonads in this chilly Melbourne weather, I was pleasantly surprised to see the sun out this morning. It has been almost four months since I bought the SL2-S, but I've had no time to take it out for a proper spin, so today was the day!

Thoroughly rugged up with multiple layers of clothing and gloves, I visited many of my favourite haunts in the CBD, particularly the National Gallery of Victoria. Accompanying the SL2S was the Summicron SL 35mm f2 Asph, and the Summicron M 50mm f2 v5 with Urth adapter.

I'm not a big fan of the Urth adapter for a few reasons, by the way. One, the body mount of the adapter is coated metal, and I'm concerned that repeated removal will scrape off some of this coating and mess with the sensor. Two, the lens mount is a bit sloppy, and M lenses have a distinct amount of play, completely unlike the highly tight tolerances of the M9 lens mount. The plan is to get a Metabones M-L adapter soon, as this has a good reputation, and the body mount is not coated.

SL2-S - Rodererererer by Archiver, on Flickr

Summicron-M 50mm f2 | Commune Wine Bar, Southgate, Melbourne

My original plan was to buy the SL2S as an alternative body for M lenses with the option of autofocus, for fun and work. So far, it is fulfilling these roles very well. Speaking of gloves, the SL2S was fine to work with gloves, and helped keep my hands free of the extra cold metal body. Manual focus with M lenses is still taking some getting used to, as I am so used to RF focusing that waiting to see the desired part of the image come into focus seems fiddly and tedious. It's getting easier, but RF focusing feels much faster by comparison.

The Summicron 35 SL is not a small lens, not by Leica M standards. But it balances well on the body, and the autofocus of the SL2S is usually faster than I can manually focus the M9. Sometimes it takes some coaxing as it is a contrast detection system, but I'm used to that.

SL2-S - Ascending Into Red by Archiver, on Flickr

Summicron SL 35mm f2 Asph | National Gallery of Victoria, Melbourne

I have to say that I love the feeling of the Summicron M 50 on the SL2S, perhaps because I'm so used to the feel of that lens on my M9, and I enjoy the smaller footprint than the 35 SL creates. But it is a bugger to focus wide open: I'm so used to being able to walk, wait for the focus patch in the RF to line up and then bam. But manual focus with an EVF, even one as bright as the SL2S, doesn't have that definitive end point. I flubbed quite a few images that I know I would have made with the M9.

SL2-S - Dreamer In The Dark by Archiver, on Flickr

Summicron SL 35mm f2 Asph | National Gallery of Victoria

The sharpness of the 35 SL is very pleasing, especially when stopped down to f4. At f2, it is still sharp, but not quite the razor clean sharpness of the APO Summicron 35, or the Distagon 35 on the M9. I feel the slight trade-off in sharpness and larger size is made up for with the ability to autofocus.

Overall, I had a super photo walk, and learned a lot about how to operate the camera for street and more considered images. I'm very impressed with this camera, and looking forward to what I can do with it in the future.
 
A few more from my first proper day out with the SL2-S:

SL2-S - The Face of Ugg by Archiver, on Flickr

Summicron 35mm f2 SL ASPH

I enjoy shooting mannequins in shop windows, probably because I can take my time and they don't move!

SL2-S - Display by Archiver, on Flickr

Summicron 35mm f2 SL ASPH

Up the escalator from the National Gallery of Australia Atrium is this mezzanine level, which has a wall sized projector display and room for seating or exhibits.

SL2-S - She Sits and Waits by Archiver, on Flickr

Summicron 35mm f2 SL ASPH

This striking lady has been exhibited at the NGV for a few years now, originally in the main atrium area, and now in the entrance area in front of the famous water wall.
 
I _love_ the water wall.
Very cool image! The water wall makes everything on the other side look like an Impressionist painting, which was probably the intention. And if it wasn't, it's a super side effect!

More water wall, but with other cameras:

M9 + 50/2 - approaching beyond the veil of time by Archiver, on Flickr
M9 | Summicron 50

I took this photo on my first visit to the NGV after buying my M9, now 15 years ago. Time flies.

GX85 - KAWS - Companion (Passing Through) by Archiver, on Flickr
Panasonic GX85 | Panasonic Vario 7-14mm f4, National Gallery of Victoria

This Kaws statue has a bit of a story. As I stood in front of it on another day, I was talking to a guy who had a Nikon Z6. He was intrigued by my M9, so I unslung it to show him. When he gave it back, I raised my camera to take a photo, and some brainless Chinese mainland tourist stepped right in front of me, less than two feet away, and took a photo. I looked at Z6 guy with an incredulous expression, and he looked at me in kind. The tourist was lucky he didn't catch a brass camera to the back of his head.

F30 - Aliens among us by Archiver, on Flickr
Fujifilm F30

These statues have another story! They were a mainstay at the NGV for some months, and I visited one evening with my girlfriend at the time. It's difficult to see in this image, but the statues are anatomically correct, at least with the protruding part. She said quietly to me, 'take a photo of this', and leaned over to tweak a statue's willy. No, I did not take that photo, and was mildly annoyed that she dared to touch the art.
 
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A brainless mainland Chinese tourist eh, Archiver? You poor thing. That's four insults in your mind I'm sure.
Only one insult there. He looked ethnically Chinese, spoke Mandarin to his partner and dressed in the manner of a tourist, so one could reasonably make the assumptions that a. he was Chinese, b. he was from the mainland, and c. he was a tourist. Okay, maybe not brainless, but inconsiderate, unaware, entitled. Who knows what was in his head, certainly not the people around him.
 
A few more from the day.

SL2S - Into the missed focus by Archiver, on Flickr
Summicron-M 50mm f2 | Arts Centre Precinct, Melbourne, 2025

This is one of the images that gave me trouble, where I just missed focus on the subject. The M9 is somehow easier to grab focus, maybe it's just a matter of practice and getting used to the SL2S.

SL2-S - Liminal gold by Archiver, on Flickr
Summicron-SL 35mm f2 ASPH | Arts Centre Melbourne, 2025

The upstairs areas of the Arts Centre are largely unused, only getting traffic during an event, or when a random photographer walks through. When empty, it feels like a liminal space, a place through which people pass on the way to another. The Arts Centre was opened in stage in the early 1980s, and has remained the same for decades. Renovation and refurbishment began last year, with the interior designs to be preserved but restored, and the main theatre will reopen in 2028.

SL2-S - Strange Pictures by Archiver, on Flickr
Summicron-M 50mm f2 | Mary Martin Bookshop, Southgate 2025
 
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