Ray Kilby
Established
35mm
I must admit, I feel I was fortunate that I was able to get my M 240 when I had my inheritance. It is underappreciated but Sonnar_Brian pointed me at it and, as has always been the case, his advice was right on the money...All the arguments for the various focal lengths aside, I have to decide on the basis of what lenses I have. And I have some nice 50's. I am basing all of these choices on M bodies. For the M body I'd lean on the SBS which I have and then the FLB which is on order and will be here at the end of September I am told. I hope so. The Cooke Amotal (2", an effective 50mm) has its own charm. The '42 CZJ is nice and the clunky but effective 35mm CV Ultron, the old one, is sweet.
So if I had to choose one focal length it would be 50mm and the soon to be here Omnar FLB in that focal length. Chris at Skyllaney has just crafted such a wonderful lens that it calls out to be in front of an M body. That's my choice.
As for M body, on a trip I'd favor the M240 as I have come to like the colors and it has that huge battery. It will function as an effective SLR and can shoot movies! What's not to like? Just as that 35mm Ultron is underappreciated so, too, is the M240. And these two work very well together, too.
I must admit, I feel I was fortunate that I was able to get my M 240 when I had my inheritance. It is underappreciated but Sonnar_Brian pointed me at it and, as has always been the case, his advice was right on the money...
Now if only I can decide what to take on my trip LOLOLOLOLO!
I was in Tampa the other week for a quick trip - my best friends were getting married. It wasn’t a photo trip but I wanted more than a phone and I didn’t want to be loaded down. It was on the beach so some form of weather protection was needed.In a week, I'm going on a road trip across Wisconsin, Indiana, Ohio (to the USAF Museum in Dayton) then down to Memphis before driving back to Wisconsin over a couple of days via back roads.
I'm still waffling on exactly what I'm going to take with me except for my Rolleiflex Automat - THAT's an easy choice 🙂
But after that? Leica M 240? Lens or Lenses?
Pentax K3? Pentax PZ-1p? Which lenses?
The closer I get, the less certain I am. 🤣
Each year's journal contains an ongoing travel gear rumination. If there's an upcoming trip or event, you can be sure that I'll write endlessly about this gear and that gear right up until it happens. And the gear lineup might change many, many times before I go. I look at old trips, the cameras I took and the results I achieved, then think about what a future trip might require. It's one of the delights of being an obsessive gearhead.In a week, I'm going on a road trip across Wisconsin, Indiana, Ohio (to the USAF Museum in Dayton) then down to Memphis before driving back to Wisconsin over a couple of days via back roads.
I'm still waffling on exactly what I'm going to take with me except for my Rolleiflex Automat - THAT's an easy choice 🙂
But after that? Leica M 240? Lens or Lenses?
Pentax K3? Pentax PZ-1p? Which lenses?
The closer I get, the less certain I am. 🤣
This is what I mean by a 21mm "portrait". It's not exactly the traditional definition, but ...
I have actually thought that as a RF medium format user, I have been exposed to a wider field of view of 35-40mm equivalent (Fuji 6x9's) and by dad have veered towards environmental portraiture.Current thinking for me is that a fast 35 could work as a single prime for travel, but I'd have to complement it with a compact like the Panasonic LX10. Just thinking out loud.
Yeah, the K3 is probably my best all around kit:Each year's journal contains an ongoing travel gear rumination. If there's an upcoming trip or event, you can be sure that I'll write endlessly about this gear and that gear right up until it happens. And the gear lineup might change many, many times before I go. I look at old trips, the cameras I took and the results I achieved, then think about what a future trip might require. It's one of the delights of being an obsessive gearhead.
In your case, I'd think about it like this: a road trip means you can bring a bit more than on a plane, but not so much that you have to leave some behind. Take a kit that you can comfortably carry in a shoulder bag or secure, discreet backpack.
The USAF museum potentially means exploiting wide angles to capture wingspans, and the ability to get close to see engine and fuselage details. For this, I'd take the K3 with a standard zoom if you have one, and/or a good wide and a fast 35 or 50.
Sounds like a good kit. In my case, I would slim that down even further to 15/4 to cover wide angle, 20-40 as general purpose zoom, and either the 35/2 or 50/1.4 for low light.Yeah, the K3 is probably my best all around kit:
APS-C with 15/4, 20-40 zoom, 70/2.4 (all limited), DAL (aka cheap 😉 ) 55-300, FA 35/2 & FA 50/1.4
This also sounds like a good kit, just as versatile as the K3 kit. The difference is that the K3 kit gives you the convenience of a zoom lens, which may or may not be important to you. I've traveled mostly with primes for many years now, but every now and again I travel with a zoom and am reminded of how fun and handy it is. It also comes back to how much you enjoy RF shooting vs DSLR shooting, and what kind of results you prefer. The M240 has a unique sensor and look, but the K3 produces gorgeous colours, too.The other thing I'm seriously pondering is that I have a nearly full set of Nikkor RF lenses, an Amedeo Adapter and my Leica M 240 to use them digitally. CV 21, 28, 35. Multiple 50s 😀 105 & 135. I really really love my uncoated collapsible Sonnar 50/2 that is adapted to Nikon standard.
Back in the day, I did a huge road trip with the 5D Mark II with the 24-105L, 35L, Sigma DP1 aps-c compact and the Canon G10 compact. The 5D covered so much with the 24-105, it was awesome. Today, I could get a 28-200 for L mount, or use the Panasonic 24-105 with similar versatility as before.If not packing an M body the A7M III with the Sony 24 - 240 zoom just about covers it. It's a good camera, a "git 'er done" machine that does well, shoots fast, has good color and image and sometimes makes me wonder why I was not happy with just it. It is the most flexible and reliable camera I have.
Very fast and capable autofocus, IBIS, Auto ISO and Auto WB, it is a very good P&S. The 24 - 240 zoom range just about covers everything and is good optical quality. IIRC all of this album was shot with it on my old A7M II. La Ferté-Alais Air Museum
Interesting choices. I have the 40mm SL II as well, funnily it is decent/okay on the 5D Mark II, but excellent on a mirrorless camera with a current sensor. Lenses like this and Voigtlander's 28mm f2.8 SL II make me think that it is very possible for them to make high quality pancake lenses for mirrorless cameras, they just haven't done it yet. Now a combination of 28 and 40 pancakes on a mirrorless camera? Oh wait, NIkon has that...40mm Sony G, 26 Nikkor ơn APS Z (~40e), 40mm VC SLii on SLR