Photo_Smith
Well-known
Absolutely correct Stewart, the 'but you don't understand-it's the cloud' type arguments are belied by your correct reading of the situation.
It is nine a month the first year, twenty the second, and something yet to be determined after that... 😎
The issue is not really the money (but of course, if Adobe decides to turn greedy, they could raise the bar above the pain threshold at any time) but the implicit risks of operating a business entirely dependent on third party support:
What if Adobe ceases to exist?
What if Adobe rises prices past the level where you can still live on your work?
What if Adobe decides to quit still photography support?
What if the US government decides that the part of the world you live in is on a embargo list?
What if you declare insolvency? Can you still access (and sell) your past works if your bank account has been locked down, or do you go into death spiral mode?
If you temporarily quit photography and return later, will you still be able to access your legacy files if you haven't been in on all intermediate upgrades? (Adobe already had a similar issue with Audition)
What if you die? Will your heirs still be able to access your works, or do they effectively lose ownership as they are refused to step into your cloud account?
You seem to be confounding mandatory storage of your intellectual property on Adobe's servers with mandatory verification of your license on a monthly basis.
I'm not really educated on DNG, and to prevent this from offtracking the thread can anyone point me to a resource for to explain the process? I'm interested in learning if converting to DNG means that I have to carry around a second RAW (if I kept my Nikon NEFs for example) file and other more technical aspects of the workflow?
Please explain how this works.. and how it works if not cloud connected?
" Cloud-synchronized editing so that changes made on a tablet arrive on the same photo on the PC. "
http://news.cnet.com/8301-1001_3-57582437-92/adobe-to-bring-lightroom-style-photo-editing-to-tablets/
This is the beginning of a policy and software/cloud roll out. It's that simple.
One member looked it up in the Adobe FAQs (just that simple) and all the talking about constant internet access for PS should stop now.
http://www.rangefinderforum.com/forums/showpost.php?p=2134987&postcount=69
No it shouldn't. If one is going to pay for the included cloud storage, one might well be tempted to use it. So yes, we damn well should be talking about "constant internet access for PS" as the alternative is to pay for something one does not intend to use.
Should I worry about the 3 of 5 seats in my new car that I almost never use but paid for? 🙂
So how is a designer going to access the intellectual property stored on his computer if the license verification fails? Please don't rell me "store as JPEG or TIFF". All gained productivity in Photoshop since the mid nineties was in the growing ability to go back to and branch off any past version of your work - if saving in PSD is a no do, we may as well stick with PS 2.5 (the last version that did not have layers - and it did install off floppies, too).
Adobe says that is not true, you have 99 days to contact before shutoff if you have a yearly subscription.
If you have a monthly sub, then you are screwed if you cannot connect.
I guess we will see how well it works.
Thanks sevo for the humor!
Well don't really I agree with you, especially when you mention Quark, which has been driven out totally by inDesign, simply because it was too expensive, poorly upgraded, and unresponsive to the market.
Carry this a step further for a pro (Adobe's target market) working on assignment in North Africa - using a laptop to edit/adjust and save his daily work.. burned to a DVD for weekly delivery by courier to a DHL hub. I guess you could connect via an Iridium Sat Phone at $6/min ..
CS6 appears to be the end of the line for those averse to the cloud.
My most recent (CD) copy of LR would install on both platforms.