mugent
Well-known
Size matters a great deal to me, my ideal 35mm camera would be a Minolta TC-1, but a bit pricey for me. A camera that will go in my pocket, but still give me the flexibility of a 'proper' camera, is very appealing to me.
Yes, a black Contax Tix with the designated hard case. In APS I also have the Vectis 300 and Leica C11. Love them all.
Best
At the moment ...
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From the left:
- Balda CE 35: Excellent little German camera with a decent lens and fold-down lens door. This also is sold as the Vito CE 35. It has a dedicated bolt-on flash, which I don't have. It's scale focus and uses programmed autoexposure. Uses two S76/LR44/375 batteries.
- Rich FF-1: Nice little camera with a fold-down lens. I still have the first roll of film in the camera. It offers both programmed and aperture-priority autoexposure. It's a scale-focus lens. No dedicated flash. It has a traditional hot shoe. Uses two S76/LR44/375 batteries.
- Chinon Bellami: Has "barn doors" to protect the lens. I haven't used the camera yet. Just bought it. It has a dedicated bolt-on flash. It also has programmed autoexposure only and a scale-focus lens. Uses two S76/LR44/375 batteries.
- Olympus XA: Considered to be the best of the lot. It has a rangefinder, sliding lens cover, aperture-priority autoexposure, dedicated bolt-on flash, electromagnetic shutter release and a self-timer. Plus, it has a shutter speed scale and needle in the viewfinder. I found this one at a church sale for $3. Uses two S76/LR44/375 batteries.
MISSING (I don't have all of my cameras with me):
- Minox 35: Fold-down lens door reveals a scale-focus lens. Nice camera, overall. BUT, good luck on finding one without a balky shutter. uses the PX27 5.6-volt battery (or four S76/LR44/375 cells).
- Lomo LCA: The Lomo gained popularity in the (my opinion) quirky "grunge" style of photography. Photos generally aren't super sharp and sometimes have odd vignetting or color shifts. It's scale focus. Uses three S76/LR44/375 batteries.
- Tessina: Excellent camera made in Switzerland. All-metal body. Has a large number of accessories, including a watch band for wearing it on your wrist. If you don't have 20-year-old eyes, the pentaprism is a must. All manual-exposure, spring-driven film advance and a sliding lens door, which locks the shutter release.
- Ducati Sogno: Insanely expensive Italian half-frame camera made by the same company that produces the motorcycle. It offers interchangeable lenses and viewfinders, rangefinder focusing, a focal plane shutter and all-manual exposure. Very heavy camera for its size. Figure on paying $1,200 or more for the camera and its standard lens. It can use the same film cassettes as the Tessina. There are two standard lenses: f/2.8 and f/3.5. Both collapse into the body and prevent the shutter from being accidentally released.
I'm rather surprised no one has mentioned the Kodak Retinas or the Minolta Hi-matics ? Not digital camera tiny,but still small and solid enough.
Regards,Peter
Ricoh GR1s or was it 1v.
Very pocketable and an awful lot of very good Alstuff in a small package. Always liked the way it wound all the film out of the cassette when loading before winding each frame back in when exposed.
Sold it to fund a new (at the time) M6ttl. I kind of regret this, I'm not saying that the M is a bad camera or anything, just that it is not as small, unassuming, low key and handy as the Ricoh.
I understand these Ricohs become a headache as they age...
My fuji Tiaras (28mm and zoom) do that. They are great within their limitations as tiny pocketable cameras with quality lenses. Also falling in love again with my recently resurrected sleeping beauty - the Leica Minilux. The small viewfinder on these don't bother me in a point and shoot. Certainly no worse than the Rollei 35s, and I always resent not having a working light meter built in.That is a very interesting feature, is that the GR1 ? Do other cameras do that?
I have a thing for small cameras. I love how much technology and mechanicals can be crammed into a small little package.
In the few short months since I've (re)discovered film, I've already picked up several smaller cameras (alas, not the famous Rollei 35 yet). I'm sticking to 35mm film, so the tiny 110 cameras won't do.
Anybody else let the size of a camera overly influence a purchase decision? Any underdogs and underappreciated gems I should be on the lookout for?