noimmunity
scratch my niche
RVP 50 or 100 135/36...I was just told so on the phone by a distributor in France, but it sounded to me more like conjecture...
Heavens, that would really $#@#!
Heavens, that would really $#@#!
Fuji already dropped Astia
That is, the Velvia 100 and 100P films sitting between Velvia 50 and Provia are predictably doomed.
Astia was only discontinued in 135 format.
120, 220, 4x5" and 8x10" are in production.
That is pure speculation, and not based on facts.
Fuji USA said last year, that they have seen an increase in sales in the Velvia line of 20%.
Are they? They obviously still are being packaged - we'll see whether they are still being cast if the expiration dates don't keep pace. Astia in 135 was not announced as discontinued until they could not ship it any more, i.e. until their stores had run out of confectioned film. This must have been months after the last master roll in 135 strength was cut and packaged, and perhaps even years after it had been cast - from the outside, only the expiration date can give us some hint whether the current "production" (cutting and packaging) of roll and sheet Astia is off master rolls cast in the past (like in the end phase of 135) or from new production.
Which might be explainable by Kodak losing market shares in their home market over their reduction of slide film types.
...having 3 similar films (Velvia 50, Velvia 100, Velvia 100P) does not sound reasonable to me...
PatrickONeill said:I can foresee them dropping one of the 100's. I always have to go online to figure out the differences between the two.
I've heard good things about the 100, but never seem to be able to get my hands on it over here. Shame; I'd love to give it a try.
.
The only problem with this, of course, is that if they're only using it for cross processing, it doesn't help with the gradual decline of availability of E6 processing, which worries me more than anything. I'd probably give up shooting colour altogether if the only process available was C41.