bmattock
Veteran
All:
I recently purchased a few rolls of Arista.EDU 100 film from Freestyle Photo online, with the intent of trying it out on a recent trip to Boston on the Amtrak. I bought it as an experiment - it is very inexpensive film ($1.89 per 36-exposure roll).
Freestyle Photo Arista.EDU 100
I have done a little research online, and although there is much speculation, it would appear that Arista.EDU 100 is actually Fortepan 100. My main clue is that Freestyle publishes a dev chart that lists identical processing times for only these two films, hmmm. However, I did ask their tech support and they were polite but said that they were not allowed to say who makes the Arista.EDU films for them. Forte is located in Budapest, Hungary.
Fortepan 100
I had heard that Fortepan used an older, (old-fashioned) thick emulsion - I can't speak to that, but I can say that I could really tell the difference when I advanced the Arista.EDU 100 through my Bessa R and Yashica CC cameras - the winding lever became appreciably harder to turn! I also shot some Ilford Delta 100 during the same trip, so I have a valid comparison to a 'modern emulsion' film.
One recommendation - if you're going to shoot this stuff in a vintage camera that might have a fragile winding mechanism - use 24-exposure instead of 36! You really can tell the difference when you wind this stuff on!
I had also heard that Arista.EDU 100 (Fortepan 100, if I'm right) has more grain than most modern B&W films. That's ok, that's actually just what I was after. I had also heard that the Arista.EDU had a longer tonal range than, say, Tri-X. Also a good thing.
Well, I can say that at least for me, both of these statements are true. I developed my Arista.EDU 100 in Kodak D-76 diluted 1+1 for 8 1/2 minutes @ 68 degrees F, and scanned the results with my Minolta Dimage Scan Dual IV. You can see the two most recent results in my gallery - I'm still sorting through the rest of them to Photoshop and post the best of 'em.
Grain? Yep, and heaps of it. I like it, though. Not the most grainy stuff I've seen though - I remember the old Tri-X when pushed to 800 - THAT was grainy! Tonal scale? You be the judge - it sure seems like some lovely blacks and grays to me, lots of shadow detail also.
My Gallery
Also, I guess I want to put in a plug for Freestyle Photo here. I had not dealt with them previously - and I bought from them based on the desire to save a little money on some B&W film. I didn't want to roll my own from bulk, but I did want to save some money. They sell name-brand as well as relabeled film. Some they can say what it really is - such as the Ilford HP5+ that they sell in both 'real' and 'Arista' flavors, and some they can't say what it 'really' is - but I guess you can figure it out. I have been dealing with their customer service and have found them to be TOP NOTCH via email and very friendly. RECOMMENDED!
Hope you find this helpful. My next experiment is with their version of HP5+ and push-processing to use available light. I want to shoot it at something like 1600 ISO. Freestyle customer service recommended that I try out some Acufine for developing it without getting grains the size of golfballs!
Best Regards,
Bill Mattocks
I recently purchased a few rolls of Arista.EDU 100 film from Freestyle Photo online, with the intent of trying it out on a recent trip to Boston on the Amtrak. I bought it as an experiment - it is very inexpensive film ($1.89 per 36-exposure roll).
Freestyle Photo Arista.EDU 100
I have done a little research online, and although there is much speculation, it would appear that Arista.EDU 100 is actually Fortepan 100. My main clue is that Freestyle publishes a dev chart that lists identical processing times for only these two films, hmmm. However, I did ask their tech support and they were polite but said that they were not allowed to say who makes the Arista.EDU films for them. Forte is located in Budapest, Hungary.
Fortepan 100
I had heard that Fortepan used an older, (old-fashioned) thick emulsion - I can't speak to that, but I can say that I could really tell the difference when I advanced the Arista.EDU 100 through my Bessa R and Yashica CC cameras - the winding lever became appreciably harder to turn! I also shot some Ilford Delta 100 during the same trip, so I have a valid comparison to a 'modern emulsion' film.
One recommendation - if you're going to shoot this stuff in a vintage camera that might have a fragile winding mechanism - use 24-exposure instead of 36! You really can tell the difference when you wind this stuff on!
I had also heard that Arista.EDU 100 (Fortepan 100, if I'm right) has more grain than most modern B&W films. That's ok, that's actually just what I was after. I had also heard that the Arista.EDU had a longer tonal range than, say, Tri-X. Also a good thing.
Well, I can say that at least for me, both of these statements are true. I developed my Arista.EDU 100 in Kodak D-76 diluted 1+1 for 8 1/2 minutes @ 68 degrees F, and scanned the results with my Minolta Dimage Scan Dual IV. You can see the two most recent results in my gallery - I'm still sorting through the rest of them to Photoshop and post the best of 'em.
Grain? Yep, and heaps of it. I like it, though. Not the most grainy stuff I've seen though - I remember the old Tri-X when pushed to 800 - THAT was grainy! Tonal scale? You be the judge - it sure seems like some lovely blacks and grays to me, lots of shadow detail also.
My Gallery
Also, I guess I want to put in a plug for Freestyle Photo here. I had not dealt with them previously - and I bought from them based on the desire to save a little money on some B&W film. I didn't want to roll my own from bulk, but I did want to save some money. They sell name-brand as well as relabeled film. Some they can say what it really is - such as the Ilford HP5+ that they sell in both 'real' and 'Arista' flavors, and some they can't say what it 'really' is - but I guess you can figure it out. I have been dealing with their customer service and have found them to be TOP NOTCH via email and very friendly. RECOMMENDED!
Hope you find this helpful. My next experiment is with their version of HP5+ and push-processing to use available light. I want to shoot it at something like 1600 ISO. Freestyle customer service recommended that I try out some Acufine for developing it without getting grains the size of golfballs!
Best Regards,
Bill Mattocks