I was once in an upmarket gents' outfitters, and the assistant noticed my M4. "Beautiful camera, those Leicas, sir, best in the world."
"It's good fun," I reply.
"Is that a Leica lens?"
"No, it's a Voigtlander. It's rarely off the camera."
"You should put a Leica lens on it. They're the the best in the world, much better than anything made in Japan."
"Do you do photography?"
"No."
So why do I have an M4? Simple. At the time, secondhand Bessas weren't that common and were really expensive, the Zeiss Ikon hadn't been invented, and I found an M4 that was only a a few hundred more than the Bessa. Trade-in meant I got it for £150, so I keep telling myself...
Most 'Leica' photographers run a mixed bag. It's all, so far as I can tell, good stuff. Some of it's really, really good, and you pay for it. I gather that Lee Friedlander has shot with a Hexar RF, so if it's good enough for him... And even if you were rich and thought nothing could hold a candle to Leica, you'd probably have the Voigtlander 15 instead of the Zeiss or Leica 14-16-18 or whatever if you didn't have much call for that focal length.
And shutter noise? Different sounds, but not especially more obtrusive. In street noise, all much of a muchness. In a quiet room, you'll hear any of them. And Leica Ms quiet? Try putting an M4 on self-timer and 1s. ZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZ - CLICK - zzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzz - CLICK - zzzzzzzzzzzzzzz.

Give me a Zeiss Ikon any day.
There's a lot of mystique about Leica, and if you're thinking about a Leica, it's hard to shake off.
Really, poor man's Leica. Anyone would think we were talking about an old Praktica SLR with a $5 lens on it. (Sometimes I wish I'd kept the one I found in a charity shop, but I just had to have something better, didn't I? :bang
