To say bonded with is pretty serious. It's these:
* My first *expensive* camera: Mamiya 645 and the 35mm Sekor C. I used the wlf, and the pd prism, and had a grip. I loved that camera.
* First digital camera: Nikon Coolpix E900. It had a twisty body, and I still have it.
* Custom digital: Nikon D70 with a custom infrared pass internal filter, and the original kitlens, the 18-70/3.5-4.5. This camera made magic pictures. No, really. Magic. (Stolen. It was unique (filter added by a very clever friend) so I couldn't replace it. Even if I could, it wouldn't be magic.)
* First big digital camera (and still my favorite digital): Nikon D2x, usually with a 35mm f/2 Ai lens, but often with a 60mm f/2.8 micro lens. When this camera was stolen, I replaced it with the exact same thing, which is sitting on my desk right now.
* First Leica: M4-P (1983) with 35mm ultron ltm. This camera was my favorite camera ever. It fit in my hand like it was born there. I took a few thousand pictures with it before it was stolen.
* Light field camera: Lytro 8GB graphite - I shot this camera into the ground - the rubber is coming off, and the rear glass is broken, yet I keep on shooting it. It's got a bit of that magic too, but not as much as the D70. (It's the camera in my avatar.)
A few more camera/lens combos qualify for the LOVE:
* My first camera: Kodak Instamatic 104 - it's pretty underpowered, but hey! I was 12. I took it everywhere.
* First commercial camera: Canon A-1 with the 50mm, 200mm, 15mm, and (my favorite) a Sigma 21-35 f/3.5-4.2. I haven't been able to live without a 21mm lens since. Both of these cameras were stolen.
* Replacement camera: Olympus OM1n with 21/2, 50/3.5 macro, 50/1.4, and 100/2.8. I really got into black and white printing, and still use the methods I worked out in the early 1980s with this camera. The 21, 50 macro, and 100mm were stolen. I have replaced them with a 21/3.5, 35/2, and 85/2.
* Replacement Leica: M4-P (1979) with 50mm summicron IV, and 15mm heliar I, and coming literally tomorrow, a 35mm summicron III. This is my current film camera. Interestingly, this camera is in much better shape than my original, but younger M4-P. Hopefully, once I put the 35 on it, it will move up into the bonded category.
* Nikon FG (silver, aka the first one) - I used a 43-86/3.5 Ai'd lens exclusively with this camera. Camera and lens were stolen along with the rest of them.
Some cameras I like, but don't LOVE:
* Lytro Illum - I really enjoy playing with it. It's the most digital of any camera I have shot.
* Nikon D700 - I currently use this for work, and it works very well. I have a 35/2 AFD, 60/2 macro, 105/2 DC, and a 17-35/2.8 AFS to go with it. I have made enough money with this camera to pay for all the cameras listed here.
* Nikon D100 - my work camera before I got the D700. I had a 12-24/4 AFS, 24-120/3.5-5.6 VR, 20/2.8 AFD, and a 180/2.8 AFD.
* Nikon F5 - put it on a copy stand and made slides, using the 60/2.8 Nikkor and waist level finder. The camera was stolen, but I still have the finder.
* Nikon FG (black - the replacement) - I've got a 35mm AFD on it, so I can use the Program mode of the camera. And an autowinder. It sounds (and looks) like a classic 60s reportage camera with the "k'jik, k'jik, k'jik" shooting sound.
* Nikon N80 - this would have been a favorite had I not gotten my first Leica around the same time. I bought it new with the cheapest 50/1.8 AFD on it.
* Kodak Stereo Camera - it works, but the body is cracked. I glued it and taped it, yet I still find this camera to be inconvenient.
* iPhone 7 - my most used camera, but it's a phone!
Cameras I don't like that much, yet use any way:
* Burke and James Grover 5x7: technically this camera rocks. I have shot less than 100 photos with this camera. I only like about 5 of them.
* Graflex Crown Graphic 4x5: I tried punking this camera out with extra bellows stops, scale markings, removed the rangefinder, etc. I had a 135/4.5 and a 75/8 lens for it, but still I took very few pictures. The ones I like are all on polaroid, and the new Fuji film doesn't fit the holder.
* Agfa Billie 6x9: with 105/6.3. It's inconvenient to shoot. I still have my third roll in this camera. The burglars left it behind.
* Kodak Signet, cool when it worked, but it broke quickly.
* Rolleiflex Tessar 3.5 A blast when it worked, and I had always wanted one, but it broke. I fixed it once, but then it broke again. I give up!
* iPod 5th gen: I discovered the very cool app, Hipstamatic when I got this music device with a built in camera. Very cool, but I dropped it, and it's very inconvenient to use now.
* GoPro Hero 4: if a camera could be "retarded" this one would be classified this way. However ... used within careful parameters, this action camera can produce usable results.
* FLIROne iOS camera, v1: It's cheap and gives suitable heat images.
* Olympus XA3: this camera is convenient and easy to use. I just don't like using it. I'm still working on it.
Cameras I HATE:
There are some cameras that work so poorly, yet offer something I want so I subject myself to them anyway. Then I want to throw them against a wall. I'm not gonna name them, because I realize they must have their following.
Ok, it's the iPad camera. Why wouldn't a very large, direct view camera be great?
Cause.