Leif Shuttyr
Member
Hi everyone,
I've been toying with the idea of getting one of the Canon bottom loaders for a while now. What appeals to me - as well as having something small enough to be pocketable with a collapsable 50 - is the thought of having a camera that's still fairly compact when used with my old 9cm Elmar, which is dwarfed by my Canon 7! The fact that the bottom loaders have a 100mm viewfinder setting - thus avoiding the need for an aux viewfinder - is an added bonus...in theory.
However, I've never handled one these cameras, so I've got a couple of questions for those of you who have:
1. I've often seen the v/f's on these camera's refered to as squinty - but what does that mean in practice? Apart from my 7, the only rangefinders I've used are a Zorki 3m and a Kiev 2 and 4. How would the vi/f on one of these older Canon's compare to them?
2. How usable is the 100mm v/f setting? Are the lack of framelines or parrallax correction any more of a nuisance than on the 50mm setting?
3. What are the build quality/mechanics like? Closer to a screw mount Leica than the rather industrial FSU's I'd guess?
Any advice or comments gratefully recieved!
Cheers
Gavin
I've been toying with the idea of getting one of the Canon bottom loaders for a while now. What appeals to me - as well as having something small enough to be pocketable with a collapsable 50 - is the thought of having a camera that's still fairly compact when used with my old 9cm Elmar, which is dwarfed by my Canon 7! The fact that the bottom loaders have a 100mm viewfinder setting - thus avoiding the need for an aux viewfinder - is an added bonus...in theory.
However, I've never handled one these cameras, so I've got a couple of questions for those of you who have:
1. I've often seen the v/f's on these camera's refered to as squinty - but what does that mean in practice? Apart from my 7, the only rangefinders I've used are a Zorki 3m and a Kiev 2 and 4. How would the vi/f on one of these older Canon's compare to them?
2. How usable is the 100mm v/f setting? Are the lack of framelines or parrallax correction any more of a nuisance than on the 50mm setting?
3. What are the build quality/mechanics like? Closer to a screw mount Leica than the rather industrial FSU's I'd guess?
Any advice or comments gratefully recieved!
Cheers
Gavin