sojournerphoto
Veteran
Don't forget to allow for interest cost on the purchase price of the digital body. If you shoot slowly then the interest on the more expensive body will exceed the run rate of film processing.
Don't forget to allow for interest cost on the purchase price of the digital body. If you shoot slowly then the interest on the more expensive body will exceed the run rate of film processing.
Yeah, but you guys (and probably RFF in general) are outliers. A very common (I don't have the data to say "most" common but I suspect it is) way to shoot film, is to scan the negatives.
Should we add the cost of a scanner AND a computer to the price tag of a film set up?
Good question. Do Israeli oranges count as African or European? And does it matter if they have the go faster stickers installed?
Dear Chris,I used to work in Government, doing costing work. Give me any position and I can come up with a set of assumptions and numbers to prove whatever you want. 🙂
What i like about digital once ownership of a digital body is attained, is the long term cost. If I do the comparative calculations as to cost of actuations on a digital camera vs a film camera. It seems the cost of a Leica M240 is roughly zeroed out at 14k. As it becomes equal to the cost of the slide film and processing. I am using a current 2013 Fujichrome price with processing as being about 54 cents per picture. You may find better pricing or worse, but it really does not matter. The point is at some point the digital body is paid for in pictures taken, after which ownership of digital decreases in cost compared to film. Different digital cameras will of course reach this at different ratios. I shoot enough that this actually happened with my M8.
The difficult lies in that first bit, attainment. It just is financially more difficult to come up with the initial cost in digital. If I did not already have my Leica lenses, I do not know that I would ever be able to shoot with a Leica M. Film allowed the cost to be dispersed over a period of time and allowed for the money to go towards lenses. I drifted to the range finder a long time ago, as I liked the relationship I had with the process better than an SLR. I think this is much more difficult to do now if you are not of financial means. I am not wealthy, and the purchase of a digital M body requires a great deal of sacrifice for me. I do so willingly as I it brings me joy. But, I do not appreciate the brutal up front cost.
Now before you go and start talking about buy a used digital M. I am just going to say I began with a new film body upon starting down the Leica road. I am going to use this as my starting point of entering into Leica in the digital age. I wonder if anyone else has thoughts about this and how it has shaped the future of their Leica ownership?
Highlight 1: Why do you "need" any hobby at all?Why do you have to have a Leica to enjoy your hobby? If I quit taking pictures due to what I would like to have then I would think I need a new hobby.
There are many cameras you can use and use your Leica lenses on and to be honest some of the newer ones might actually give a nice new M a run for its money.
Not to be harsh but you are looking at it from the wrong angle. Digital isn't just about saving money on film and processing it's about convenience and flexibility. RAW files are very versatile. Much more so than film unless you have one heck of a darkroom.
Modern digital lenses are also miles ahead than in the past. Maybe not Leica quality. Even today's kit lenses produce very good pictures.
You could pick up one heck of a digital camera for less than the cost of one Leica lens.
LOL. Yes, I think the OP may really be at the heart of the matter just looking to justify a new toy purchase..
Highlight 1: Why do you "need" any hobby at all?
Highlight 2: Hardly. Name another full-frame digital camera that tales Leica lenses.
Highlight 3: Pretty much any darkroom will do, as developing and printing tends to depend on skill rather than equipment. You can find more than adequate equipment for next to nothing.
Highlight 4: Yes, if you want to shoot using a cigarette packet with a fixed slow zoom on the front.
Cheers,
R.
i use both film and digital.
i think film is better and safer..
Recently a memory drive could not be opened.
Film is probably good for a very long time..
One shoots film totally different from digital.
The viewfinders are usually better on older cameras..
The newer digital cameras all require a photoshop of some sort!
The Leica really only shoots Raw.
i use point and shoot digitals.JPEG only.
Last roll in Rolleiflex took 2 months..10 keepers/12
Last roll 220 film in Rolleiflex took 18 months.23 keepers/24.
Any event in digital a few hundred..Editing a real pain.
Reason one cannot really see what will be delivered on monitor..
It makes no difference if it's a Leica M digital(i have used),
or a lousy porroflex DSLR from most makes.
The EVIL finder, aptly named.
A tragedy added to already poor concepts of design and construction.
One make the numbers positive as an investment in digital.
Or one can be realistic. The great bank failure or green economy.
would i buy a Leica digital? No. Reason need to do RAW.
i am streamlining the remainder of my life,
needless complexities are gone.
But, do not make a false assumption that others are of the same ilk.
Now before you go and start talking about buy a used digital M. I am just going to say I began with a new film body upon starting down the Leica road. I am going to use this as my starting point of entering into Leica in the digital age. I wonder if anyone else has thoughts about this and how it has shaped the future of their Leica ownership?
I am not wealthy, and the purchase of a digital M body requires a great deal of sacrifice for me. I do so willingly as I it brings me joy. But, I do not appreciate the brutal up front cost.
This ignores a very simple truth, though. To keep the sums simple, I've rounded the numbers. An M-E is near enough $5500 US. If slide film costs $10 a roll, processed, then after the equivalent of 550 rolls the M-E is effectively free. By this criterion, both my M8 (since 2006) and M9 (since 2009) are "free" now.I think we can agree that even the best digital cameras aren't made to last several decades and be passed from father to son, are they? Not that they will necessarily stop working and be impossible to repair, but at some point their technology will likely feel outdated compared to newer products, and we'll probably want to move on anyway (GAS will help for sure). Repair of a broken shutter, sensor or LCD in a Leica M9 doesn't get cheaper just because there is now a new digital M on the market. I have a feeling that if most M9 users would have accepted to have their shutter, or display or sensor replaced when the camera was 1 year old, many fewer would when their M9 is 10 years, the repair cost being almost the same. At that point they'll face a new major investment if their ambition was to replace a former state-of-the-art digital M with a current model (right now, a 240).
This prologue and a few arguable assumptions lead me to think that if my economy is such that buying a new digital M is a major effort, I need to consider that its cost pr. image won't go to zero after any number of images, no matter how high, as a new major investment may be unavoidable (or feel like a smarter option) in 5, 10 or whatever number of years.
Replacing my old M6 with another film camera in mint conditions, if necessary at all within my life span, is much less likely to be a major effort. At least as long as the used market is full of treasures and as long as they make some new film cameras that cost a fraction of the high end digital equivalent. But I do accept that my assumptions are arguable and I may be missing something.
Highlight 1: Why do you "need" any hobby at all?
Highlight 2: Hardly. Name another full-frame digital camera that tales Leica lenses.
Highlight 3: Pretty much any darkroom will do, as developing and printing tends to depend on skill rather than equipment. You can find more than adequate equipment for next to nothing.
Highlight 4: Yes, if you want to shoot using a cigarette packet with a fixed slow zoom on the front.
Cheers,
R.
This ignores a very simple truth, though. To keep the sums simple, I've rounded the numbers. An M-E is near enough $5500 US. If slide film costs $10 a roll, processed, then after the equivalent of 550 rolls the M-E is effectively free. By this criterion, both my M8 (since 2006) and M9 (since 2009) are "free" now.
R.