degruyl
Just this guy, you know?
I guess this roll is wasted. I may just send it to a lab and accept what I will get. (They can inspect the negative during the development so I guess I will get extremely contrasty images.) Or should I still try to develop it in a tank?
I would definitely develop it myself.
Delta 3200 @ 6400:
TMax Dev 1+4 11 minutes 20C
(from the Massive Dev Chart. Really strange: the numbers are the same as the TMax P3200 numbers, except temperature.)
You could just look at the data sheet to see what Ilford recommends.
It will increase contrast, decrease range, etc. It will not be too bad. Remember, this film is designed to be pushed
Thanks again everyone (specially Juan) for the education. I start to realize the importance of knowing the real ISO speed of a film. I'm reading a book of Philippe Bachelier which shows the difference between overexposure + underdevelopment and underexposure + overdevelopment. The difference in contrast is drastic.
Absolutely true. If you have the spare light, pulling film is usually useful. Sometimes, as I assume was the case here, you do not have the light.
Once more question: many tend to think it's always better to have the lowest contrast as it can be added later in software while lost details due to high contrast are not recoverable. But when it's to wet printing, it's not the case, because extremely "soft" (low contrast) negatives would require extremely high contrast papers to be printed correctly, am I right?
More or less, although with variable contrast paper you can keep only one paper on the shelf. It also has more of a contrast range than most companies produce in graded papers. Not much more, but more.